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  1. Matthew Libatique (born July 19, 1968) is an American cinematographer. He is best known for his collaborations with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014), and Mother!

  2. Matthew Libatique is an American cinematographer. He is best known for his work with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014) and Mother! (2017). He also shot Bradley Cooper's directorial debut film, A Star Is Born (2018).

    • January 1, 1
    • 3 min
    • Queens, New York City, New York, USA
  3. Matthew J. Libatique (* 19. Juli 1968 in Queens, New York) ist ein US-amerikanischer Kameramann. Seit Anfang der 1990er Jahre hat er an mehr als 40 Filmproduktionen, überwiegend Dramen, und über 80 Musikvideos mitgewirkt. Bekanntheit erlangte er vor allem durch seine langjährige Zusammenarbeit mit dem Filmregisseur Darren Aronofsky .

  4. Birth name. Matthew J. Libatique. Mini Bio. Matthew Libatique is an American cinematographer. He is best known for his work with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014) and Mother! (2017).

  5. Matthew Libatique ( New York, 19 luglio 1968) è un direttore della fotografia statunitense . È collaboratore abituale del regista Darren Aronofsky, per il quale ha curato la fotografia di ogni suo film (con l'eccezione di The Wrestler ), fra cui Il cigno nero, che gli ha valso la candidatura all' Oscar alla migliore fotografia . Indice.

  6. Début. Filmographie. Années 1990 et 2000. Années 2010 et 2020. Distinctions. Récompenses. Nominations. Références. Liens externes. Matthew Libatique. modifier - modifier le code - modifier Wikidata. Matthew J. Libatique est un directeur de la photographie américain, né le 19 juillet 1968 dans le Queens, New York ( État de New York ). Filmographie.

  7. And, unlike A Star is Born, which Libatique shot digitally, Maestro was always intended to be shot on film. At the 96th Oscars, Libatique received his third Oscar nomination for Best Cinematography. "What I love about this craft is that you learn something new all the time," he says. "If you're lucky, you learn something from every film.

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