Antonio Ricci
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Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Bicycle Thieves: Directed by Vittorio De Sica. With Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Elena Altieri. In post-war Italy, a working-class man's bicycle is stolen, endangering his efforts to find work.
Mar 11, 2022 · Bicycle Thieves (Italian: Ladri di biciclette; sometimes known in the United States as The Bicycle Thief) is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his ...
However, disaster strikes when Antonio's bicycle is stolen, and his new job is doomed unless he can find the thief. With the help of his lively son, Bruno (Enzo Staiola), Antonio combs the city...
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Simple in construction and profoundly rich in human insight, Bicycle Thieves embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.
Aug 13, 2020 · It’s “Bicycle Thieves” (“Ladri di Biciclette” in Italian) not only because more than one bike is stolen, but also because the cruelty of modern life threatens to make robbers of us all.
Mar 19, 1999 · The story of "The Bicycle Thief" is easily told. It stars Lamberto Maggiorani, not a professional actor, as Ricci, a man who joins a hopeless queue every morning looking for work. One day there is a job--for a man with a bicycle. "I have a bicycle!"
Ladri di biciclette, better known in English as Bicycle Thieves or The Bicycle Thief, is a key film in the Italian neorealist movement, and remains its best known and most celebrated product.
Bicycle Thieves (1948) The film that topped Sight and Sound’s inaugural Greatest Films of All Time poll in 1952, Vittorio De Sica’s indelible neorealist parable offers a sharp-eyed portrait of Italy’s post-war privations.
Simple in construction and profoundly rich in human insight, BICYCLE THIEVES embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.
