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Grégory Levasseur (born 1979 in Douarnenez, France) is a French screenwriter and film producer, best known for The Hills Have Eyes (2006), High Tension (2003), Maniac (2012) Piranha 3-D (2010), Mirrors (2008), P2 (2007), and Furia (1999), all of which he collaborated on with Alexandre Aja.
From Furia and his next features, he frequently works with Grégory Levasseur as writers such as in The Hills Have Eyes, Mirrors, P2, and Piranha 3D. Levasseur also made his works as production designer too.
The Hills Have Eyes is a 2006 American horror film directed by Alexandre Aja and co-written by Aja and Grégory Levasseur, in their English-language debut. It is a remake of Wes Craven's 1977 film of the same name.
High Tension (French: Haute tension, French pronunciation: [ot tɑ̃sjɔ̃]; also known as Switchblade Romance in some international countries) is a 2003 French slasher film [4] directed by Alexandre Aja, co-written with Grégory Levasseur, and starring Cécile de France and Maïwenn.
Apr 29, 2008 · to see part of the latest film from Alexandre Aja and his partner in crime, Grégory Levasseur. First off, I am a fan of their work, with both HAUTE TENSION and THE HILLS HAVE EYES,...
Grégory Levasseur is a writer , producer , dialogue writer , artistic director and director of second French team , born in 1979 in Douarnenez in Finistère . He often collaborates with his childhood friend Alexandre Aja .
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Why did Aja not direct the Hills Have Eyes 2?
- They asked the production company, Europa, “if it was possible to cut the head off” the female figure in their opening logo. Unsurprisingly, Europa said no. “It’s a shame because it could be very funny to have her head fall in the water and put blood everywhere.”
- The French title translates both to “high tension” and “high voltage.” They considered other English titles including Switchblade Romance, “but it was maybe too campy.”
- They filmed in Romania, near Bucharest. They feel it looks exactly like southern France where the film is set.
- The isolated house was difficult to find in Bucharest though as the country’s Communist history led to the destruction of such homes. They had to settle on a mill and then modify it into a house with some of the furniture being used to hide old machinery, but some of the interiors are from other houses all together.
