Yahoo India Web Search

Search results

  1. Magnolia is a 1999 American drama film written, directed and co-produced by Paul Thomas Anderson. It stars an ensemble cast, including Jeremy Blackman, Tom Cruise, Melinda Dillon, Philip Baker Hall, Philip Seymour Hoffman, Ricky Jay, William H. Macy, Alfred Molina, Julianne Moore, John C. Reilly, Jason Robards (in his final film role) and ...

  2. Jan 7, 2000 · Magnolia is a 1999 epic mosaic of interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley. The film features Tom Cruise, Julianne Moore, Philip Seymour Hoffman and others, and explores themes of coincidence, fate, redemption and human connection.

    • (330K)
    • Drama
    • Paul Thomas Anderson
    • 2000-01-07
  3. A film of sadness and loss, of lifelong bitterness, of children harmed and adults destroying themselves. The narrator tells us near the end, "We may be through with the past, but the past is never through with us."

  4. People also ask

  5. Jan 7, 2000 · Magnolia is a 1999 drama film by Paul Thomas Anderson, starring Tom Cruise, Julianne Moore, Philip Seymour Hoffman and others. It follows the intertwined lives of various characters in the San Fernando Valley on a single day, exploring themes of fate, coincidence and redemption.

    • (216)
    • Paul Thomas Anderson
    • R
    • Jason Robards
  6. Aug 5, 2013 · Magnolia (1999) Official Trailer #1 - Paul Thomas Anderson Movie. Rotten Tomatoes Classic Trailers. 1.67M subscribers. Subscribed. 6.3K. 1.2M views 10 years ago. Subscribe to TRAILERS:...

    • 3 min
    • 1.2M
    • Rotten Tomatoes Classic Trailers
  7. A film by Paul Thomas Anderson about interrelated characters in search of love, forgiveness and meaning in the San Fernando Valley. The plot follows 24 hours in L.A. and features coincidences, quiz shows, cancer, sex, and rain.

  8. Jan 7, 2000 · Magnolia is a melodramatic and operatic film that interweaves several stories of people in Los Angeles, linked by coincidence, TV and death. Ebert praises its ambition, exuberance and themes of fate, while acknowledging its length and lack of restraint.