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  1. Saadat Hasan Manto (/ m ɑː n,-t ɒ /; Punjabi, Urdu: سعادت حسن منٹو, pronounced [səˈaːd̪ət̪ ˈɦəsən ˈməɳʈoː]; 11 May 1912 – 18 January 1955) was a Pakistani writer, playwright and author born in Ludhiana, who was active in British India and later, after the 1947 partition of India, in Pakistan.

  2. Know about SAADAT HASAN MANTO. Find Biography of Saadat Hasan Manto and read other details like Birthplace, full name & interests.

  3. Saadat Hasan Manto collection of short stories, articles, and ebooks in Urdu, Hindi & English. Read more about Saadat Hasan Manto and access their famous audio, video, and ebooks.”

  4. Best short stories collection of Saadat Hasan Manto. Available in Hindi and Urdu.For meaning of Urdu words you do not understand, click on that word.

  5. In his short story 'Toba Tek Singh', set against the background of the 1947 partition of the Indian subcontinent, writer Saadat Hasan Manto provides a literary narration of the...

  6. May 11, 2022 · A prolific writer and playwright, Saadat Hasan Manto was born on this day in Ludhiana in 1912. He died young, in his early 40s, but over the short course of his life, produced over 20 collections of short stories, a novel, radio plays, and essays.

  7. Saadat Hasan Manto (1912–55), one of the greatest writers of short stories and author of over 100 radio plays and features, remains a model for 21st-century writers for plot construction, bitter realism, and whimsical dialogue.

  8. Saadat Hasan Manto (Urdu: سعادت حسن منٹو, Hindi: सआदत हसन मंटो ), the most widely read and the most controversial short-story writer in Urdu, was born on 11 May 1912 at Sambrala in Punjab's Ludhiana District.

  9. Saadat Hassan Manto was a Pakistani writer who lived a life filled with constant criticism and hate because of his writing. Almost 100 years later, his ideas and works still ring strong, addressing issues of misogyny, gender and violence.

  10. Nasreen Rehman’s translation of Manto’s stories based on his life in the two cities between 1937 and 1948 stands out for its precise capturing of the author’s modernist Urdu phraseology.

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