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  1. Nicolas Poussin (UK: / ˈ p uː s æ̃ /, US: / p uː ˈ s æ̃ /, French: [nikɔla pusɛ̃]; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small ...

  2. May 28, 2024 · Nicolas Poussin was a French painter and draftsman who founded the French Classical tradition. He spent virtually all of his working life in Rome, where he specialized in history paintings—depicting scenes from the Bible, ancient history, and mythology—that are notable for their narrative clarity

  3. Nicolas Poussin (French: [nikɔlɑ pusɛ̃]; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors.

  4. The playful horde of putti, the highly keyed reds, blues, and whites of the Virgin’s robe, and the intensely blue sky—as well as the optimistic spirit of the picture as a whole—reveal Poussin’s admiration for Titian’s Bacchanals, then in the Aldobrandini collection in Rome.

  5. A Frenchman who spent almost his entire working life in Rome, Nicolas Poussin is considered the founder of the French classical tradition. He specialized in scenes from the Bible, ancient history, and mythology and his canvases are revered for their narrative intensity and their rational and ordered approach to composition.

  6. Nicolas Poussin. 1594 - 1665. Image: Nicolas Poussin, 'Self Portrait' Paris, Musée du Louvre © RMN, Paris. Nicolas Poussin was born at Les Andelys in Normandy and first trained in Rouen. From 1612 he lived in Paris and in 1624 travelled via Venice to Rome, where he stayed for most of his life.

  7. Sep 21, 2020 · Nicolas Poussin (1594–1665) The Wallace Collection. Encouraged by Varin, Poussin departed for Paris in 1612, where he studied anatomy, perspective, and architecture and worked under a variety of masters. Soon after, he was introduced to engravings after Raphael and Giulio Romano.