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  1. Piero della Francesca ( / ˌpjɛəroʊ ˌdɛlə frænˈtʃɛskə /, [2] US also /- frɑːnˈ -/, [3] [4] Italian: [ˈpjɛːro della franˈtʃeska] ⓘ; né Piero di Benedetto; c. 1415 [1] – 12 October 1492) was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. [5]

  2. Piero della Francesca, painter whose serene, disciplined exploration of perspective had little influence on his contemporaries but came to be recognized in the 20th century as a major contribution to the Italian Renaissance.

  3. Piero della Francesca created some of the most arresting religious paintings of the early Renaissance using linear perspective and foreshortening.

  4. Piero della Francesca (Italian pronunciation: [ˈpjɛːro della franˈtʃeska] listen (help·info); c. 1415 – 12 October 1492) was an Italian painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects, to contemporaries he was also known as a mathematician and geometer.

  5. Piero di Benedetto de' Franceschi, noto comunemente come Piero della Francesca, è stato un pittore e matematico italiano. Tra le personalità più emblematiche del Rinascimento italiano, fu un esponente della seconda generazione di pittori-umanisti. Le sue opere sono mirabilmente sospese tra arte, geometria e complesso sistema di lettura a ...

  6. Piero della Francesca is one of the most admired 15th-century Italian painters. The cool colour palette and geometrical compositions contribute to the refined and meditative nature of his works. Piero was born in Borgo Sansepolcro, in Tuscany.

  7. Oct 8, 2020 · Piero della Francesca (c. 1420-1492 CE) was an Italian Renaissance artist whose paintings and frescoes are characterised by their solid figures, bright colours, and harmonious composition.

  8. But the art of Piero della Francesca--who develops to poetic heights the subtle use of perspectival representation proposed in works of Domenico Veneziano, [2] following faithfully the theories of Leon Battista Alberti--could not have evolved solely in his local environment.

  9. An interest in more than naturalism. Unlike other paintings by Piero ( The Flagellation for example), The Resurrection is less interesting iconologically than it is formally; that is, art historians are less concerned about what it might mean than what it actually looks like.

  10. Piero della Francesca is one of the most highly appreciated artists of the 15 th century. Piero di Benedetto dei Franceschi, known as Piero della Francesca, was born in Borgo San Sepolcro in Tuscany. Although he primarily focused on painting, Piero was also active as a writer and art theoretician.