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Brackett was a president of the Screen Writers Guild (1938–1939) and for the Academy of Motion Picture Arts and Sciences (1949–1955). He either wrote and/or produced over forty films, including To Each His Own, Ninotchka, The Major and the Minor, The Mating Season (1951), Niagara, The King and I, Ten North Frederick, The Remarkable Mr ...
Charles Brackett was a screenwriter and producer who worked with Billy Wilder on 13 films, including Sunset Blvd. and The Lost Weekend. He won three Oscars and retired in 1962 due to illness.
- January 1, 1
- Saratoga Springs, New York, USA
- January 1, 1
- Los Angeles, California, USA
Nov 1, 2014 · Brackett and Wilder were the oddest of couples, just as Brackett himself was a misfit in Hollywood: He was a Republican Wasp, a pairing of traits unusual to the point of singularity in the screenwriting community, which was dominated, then as now, by left-leaning liberal Jews. But the two men shared a coolly detached sense of humor, and each ...
Aug 7, 2016 · Unlike Wilder, Charles Brackett (1892-1969) was a long-established American. Indeed, Brackett’s family could trace their roots back to the arrival of their ancestor Richard Brackett at the Massachusetts Bay colony in 1629, one of the earliest colonial outposts in America.
Other articles where Charles Brackett is discussed: Howard Hawks: Films of the 1940s: …of Fire (1941), written by Charles Brackett and Billy Wilder, was a well-conceived romantic comedy centred on Cooper and Barbara Stanwyck. The patriotic Air Force (1943) transposed Hawks’s Air Corps experience and men-at-work ethos to World War II, with John Garfield, Gig Young, and Arthur Kennedy as part of the…
Learn about Charles Brackett, an American novelist, screenwriter, and film producer who worked with Billy Wilder on sixteen films. Find his biography, filmography, awards, and diaries on TMDB.
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Charles Brackett, born in Saratoga Springs, New York, of Scottish ancestry, followed in his attorney-father's footsteps and graduated with a law degree from Harvard University in 1920. He practised law for several years, before commencing work as drama critic for The New Yorker (1925-29), in addition to submitting short stories to The Saturday Evening Post.
