Nasa 'Dynamite' Springer
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Call Her Savage is a 1932 pre-Code drama film directed by John Francis Dillon and starring Clara Bow. [1] The film was Bow's second-to-last film role. It is also one of the first portrayals of homosexuals on screen, including a scene in a gay bar. [2] [3] The film's copyright was renewed, and the film will enter the public domain in 2028.
Call Her Savage: Directed by John Francis Dillon. With Clara Bow, Gilbert Roland, Thelma Todd, Monroe Owsley. Sexy Texas gal storms her way through life, brawling and boozing until her luck runs out, forcing her to learn the errors of her ways.
- (922)
- Drama
- John Francis Dillon
- 1932-11-27
"Call Her Savage" is a classic drama film released in 1932. Directed by John Francis Dillon, the story follows the life of Nasa "Nasa Springer" Springer, por...
- 88 min
- 580
- Cherish Classic Cinema
By 1932, when Call Her Savage was released, Clara Bow had climbed her way to stardom, become an icon of the Roaring '20s, and survived the coming of sound. She had also been vilified in the press for her personal life, victimized by her secretary who aired her dirty laundry in public, and scandalized by a nervous breakdown.
- John Francis Dillon, Jack Boland
- Clara Bow
Apr 24, 2021 · Call Her Savage is a wild, tempestuous film that is neither ever grounded in reality nor ever very dull. Clara Bow selected the project personally and it’s not hard to see why. As an escalation of the women’s picture of the early-1930s, this one threatens to blow the rest down by sheer force of a maddened power.
The dinner turns into a brawl after Larry speaks disrespectfully about Nasa’s dead child. Jay rebukes Nasa and calls her “savage.”. Alone and drunk, Nasa gets violently angry at the men who have made her life miserable. When she learns that her mother is ill, she returns to Texas. Ruth dies after calling Ronasa’s name.
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Overview. A high-spirited, short-tempered, young woman hates her father and loves to rebel against him. She marries a man whom her father hates but her marriage fails and she learns the errors of her ways. John Francis Dillon. Director.
