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  1. The Contact (Korean: 접속; RR: Jeopsok) is a 1997 South Korean romance film directed by Chang Yoon-hyun. Starring Han Suk-kyu and Jeon Do-yeon, it was the second biggest-grossing Korean film of 1997 with 674,933 admissions, and was awarded the Grand Bell Awards for best picture.

  2. Sep 13, 1997 · With Han Suk-kyu, Jeon Do-yeon, Choo Sang-mi, Park Yong-soo. The male radio presenter Donghyun and the female TV home shopping phone operator Soohyun are both lonely. While Donghyun is focused on getting back to his ex-girl-friend Younghae who has sent him a special LP, Soohyun is crazy for her friend's boy-friend.

    • (516)
    • Romance
    • Yun-hyeon Jang
    • 1997-09-13
  3. Jun 1, 2023 · The Contact (Korean: 접속; RR: Jeopsok) is a 1997 South Korean romance film directed by Chang Yoon-hyun. Starring Han Suk-kyu and Jeon Do-yeon.

    • 107 min
    • 891
    • hansukkyu_fans
  4. Soo-hyun, a Home shopping guide, who has a one-sided love with her friend's boyfriend, often drives in the dark when she is in deep loneliness. One day, after witnessi... more. After losing his ex-girlfriend, Dong-hyun is now living a life in isolation.

    • Romance, Drama
    • 104min
    • Sep 13, 1997
    • The Contact (1997 South Korean film)1
    • The Contact (1997 South Korean film)2
    • The Contact (1997 South Korean film)3
    • The Contact (1997 South Korean film)4
    • The Contact (1997 South Korean film)5
  5. Sep 13, 1997 · Movie: The Contact Revised romanization: Cheob-sok Hangul: 접속 Director: Chang Yoon-Hyun; Writer: Chang Yoon-Hyun, Myung Joo Cho, Kim Eun-Jung; Producer: Shim Bo-Kyoung; Cinematographer; Release Date: September 13, 1997 Runtime: 105 Min. Language: Korean Country: South Korea Plot

  6. The male radio presenter Dong-hyun and the female TV home shopping phone operator Soo-hyun are both lonely. While Dong-hyun is focused on getting back to his ex-girl-friend Young-hae who has sent him a special LP, Soo-hyun is crazy for her friend's boy-friend.

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  8. A gloomy cyber-romance that proves to be too dull for it's own good, saved slightly by an upbeat final third and a fantastic early Jeon Do-yeon performance. There's perhaps no movie sub-genre as simultaneously and paradoxically relevant and expired as the internet romance.