Joan Prentice
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Merrily We Go to Hell. Merrily We Go to Hell is a 1932 pre-Code film directed by Dorothy Arzner, and starring Fredric March and Sylvia Sidney. The supporting cast features a prominent early appearance by Cary Grant, billed ninth in the cast but with a larger part than this would suggest. The picture's title is an example of the sensationalistic ...
Screenplay by. Edwin Justus Mayer. Based on the novel I, Jerry, Take Thee, Joan by. Cleo Lucas. Cinematography. David Abel. Editor. Jane Loring. Addiction, nonmonogamy, and female sexual liberation: decades before such ideas were widely discussed, Dorothy Arzner, the only woman to work as a director in 1930s Hollywood, brought them to the ...
Merrily We Go to Hell: Directed by Dorothy Arzner. With Sylvia Sidney, Fredric March, Adrianne Allen, Richard 'Skeets' Gallagher. A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.
Jun 14, 2021 · Merrily We Go to Hell was the last film she made at Paramount. She left rather than accept a pay cut, and took her chances as a freelancer. She continued directing films until she retired in 1943 ...
Overview. A drunken newspaperman, Jerry Corbett, is rescued from his alcoholic haze by an heiress, Joan Prentice, whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania. Dorothy Arzner. Director. Edwin Justus Mayer.
Oct 3, 2019 · Merrily We Go To Hell (1932) Storyline. A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania. Please support our Sponsors -. classicmovies movies oldmovies. Classic Old Movie :The Outlaw Josey Wales 1976. A drunken newspaperman is ...
Merrily We Go to Hell joins a subset of pre-Code films in which open marriage or the double standard regarding sex are part of the storyline. In films such as Party Husband (1931), The Divorcee (1930), Ex-Lady (1933) and Illicit (1931), husbands and wives openly commit adultery under the noses of their partners without moral judgement passed on the women.
