Antonio Ricci
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Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
Bicycle Thieves: Directed by Vittorio De Sica. With Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Elena Altieri. In post-war Italy, a working-class man's bicycle is stolen, endangering his efforts to find work.
Aug 13, 2020 · It’s “Bicycle Thieves” (“Ladri di Biciclette” in Italian) not only because more than one bike is stolen, but also because the cruelty of modern life threatens to make robbers of us all.
Mar 11, 2022 · Bicycle Thieves (Italian: Ladri di biciclette; sometimes known in the United States as The Bicycle Thief) is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his ...
Mar 19, 1999 · The story of "The Bicycle Thief" is easily told. It stars Lamberto Maggiorani, not a professional actor, as Ricci, a man who joins a hopeless queue every morning looking for work. One day there is a job--for a man with a bicycle. "I have a bicycle!"
Unemployed Antonio Ricci (Lamberto Maggiorani) is elated when he finally finds work hanging posters around war-torn Rome. His wife, Maria (Lianella Carell), sells the family's bed linens to ...
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Simple in construction and profoundly rich in human insight, Bicycle Thieves embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.
In post-war Italy, a working-class man's bicycle is stolen, endangering his efforts to find work. He and his son set out to find it. Antonio Ricci, an unemployed man in the depressed post-WWII economy of Italy, finally gets a job hanging up posters, but he needs a bicycle.
Bicycle Thieves (1948) The film that topped Sight and Sound’s inaugural Greatest Films of All Time poll in 1952, Vittorio De Sica’s indelible neorealist parable offers a sharp-eyed portrait of Italy’s post-war privations.
Simple in construction and profoundly rich in human insight, BICYCLE THIEVES embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.
