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Jan 14, 2022 · Monk in Europe: Directed by Michael Blackwood. With Jimmy Cleveland, Ray Copeland, Larry Gales, Johnny Griffin. In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities.
- (31)
- Documentary
- Michael Blackwood
- 2022-01-14
Part two of a two-part portrait of the great Jazz composer and pianist, Thelonious Monk. On his European tour his quartet was joined by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin. They traveled as part of George Wein's Newport Jazz Festival road company to London, Stockholm, Copenhagen, Berlin, Mainz, and Rotterdam.
Synopsis. In 1968, we had the opportunity to spend time with Thelonious Monk and his musicians, following him in New York, Atlanta, and in various European cities. In New York his quartet plays at the Village Vanguard and at recording sessions for Columbia Records; in Atlanta they appear at a Jazz Festival organized by George Wein.
- Development of Monasteries
- Recruitment
- The Abbot
- Rules & Regulations
- Clothing & Possessions
- A Monk's Daily Routine
- Giving Back to The Community
From the 3rd century CE there developed a trend in Egypt and Syria which saw some Christians decide to live the life of a solitary hermit or ascetic. They did this because they thought that without any material- or worldly distractions they would achieve a greater understanding of and closeness to God. In addition, whenever early Christians were pe...
People were attracted to the monastic life for various reasons such as piety; the fact that it was a respected career choice; there was the chance of real power if one rose to the top; and one was guaranteed decent accommodation and above average meals for life. The second or third sons of the aristocracy, who were not likely to inherit their fathe...
Monasteries were typically managed by an abbot who had absolute authority in his monastery. Selected by the senior monks, who he was supposed to consult on matters of policy (but could also ignore), the abbot had his job for life, health permitting. Not just a job for the old and wise, a monk in his twenties might stand a chance of being made abbot...
Monks followed the teachings of Jesus Christin rejecting personal wealth, as recorded in the Gospel of Mathew: Along these lines, creature comforts were shunned but the strict application of such ideals really depended on each monastery. So, too, silence was a method to remind monks they were living in an enclosed society quite different from the o...
Monks had to keep the tops of their heads shaved (tonsured) which left a distinctive band of hair just above the ears. In contrast to their hairline, a monk's clothes were designed to cover as much flesh as possible. Most monks wore linen underclothes, sometimes hose or socks, and a simple woollen tunic tied at the waist by a leather belt. Over the...
Monks were not usually permitted to leave the monastery unless they had some special reason and were permitted to do so by their abbot. There were exceptions, as in Irish monasteries where monks famously roamed the countryside preaching and sometimes even founded new monasteries. For most monks, though, their daily life was entirely contained withi...
Monks and monasteries did give back to the community in which they lived by helping the poor and providing hospitals, orphanages, public baths, and homes for the aged. Travellers were another group who could find a room when needed. As already mentioned, in education, too, monasteries played a prominent role, notably building up large libraries and...
- Mark Cartwright
Part two of a two-part portrait of the great Jazz composer and pianist. On his European tour his quartet was joined by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin. They traveled as part of George Wein’s Newport Jazz Festival road company to London, Stockholm, Copenhagen, Berlin, Mainz, and Rotterdam. Michael Blackwood.
In western Europe, some monks and nuns settled far from cities and towns, seeking lives of devotion and self-denial in inhospitable or fortified locations, but other communities flourished in populous places, where they might withdraw from the world in spirit and yet remain nearby to offer instruction and guidance.
Part two of a two-part portrait of the great Jazz composer and pianist. On his European tour his quartet was joined by Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin. They traveled as part of George Wein’s Newport Jazz Festival road company to London, Stockholm, Copenhagen, Berlin, Mainz, and Rotterdam.
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