Sophie Scholl
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Fünf letzte Tage (Five Last Days) is a West German film about the last days in 1943 of Sophie Scholl. Scholl was a member of the anti-war group Weiße Rose. She was executed for her non-violent activities by the National Socialist regime during the Second World War. The film was directed by Percy Adlon, who also wrote the script. Eleonore ...
Oct 15, 1982 · Five Last Days: Directed by Percy Adlon. With Irm Hermann, Lena Stolze, Joachim Bernhard, Ossi Eckmüller. In Wittelbacherpalais, Munich's prison and Gestapo center, middle-aged Else Gebel awaits trial for carrying anti-Nazi material.
- (138)
- Drama, History
- Percy Adlon
- 1982-10-15
Five Last Days. In Wittelbacherpalais, Munich's prison and Gestapo center, middle-aged Else Gebel awaits trial for carrying anti-Nazi material. She serves as a clerk in the Gestapo office. On Thursday, 18 February 1943, two youths arrive at the prison, arrested for carrying anti-Reich pamphlets and suspected of dropping leaflets from the ...
In Wittelbacherpalais, Munich's prison and Gestapo center, middle-aged Else Gebel awaits trial for carrying anti-Nazi material. She serves as a clerk in the Gestapo office. On Thursday, 18 February 1943, two youths arrive at the prison, arrested for carrying anti-Reich pamphlets and suspected of dropping leaflets from the university tower and ...
Five Last Days. 1982 · 1 hr 53 min. TV-14. Drama · Foreign/International. Jailed for possession of anti-Nazi propaganda, two women sharing the same cell comfort one another through five merciless days of interrogations. Subtitles: English. Starring: Irm Hermann Lena Stolze Joachim Bernhard Ossi Eckmüller. Directed by: Percy Adlon.
Watch Five Last Days with a subscription on Prime Video. Page 1 of 3, 5 total items. After being arrested for possession of anti-Nazi propaganda, young Sophie Scholl (Lena Stolze) is thrown in ...
- Drama
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The five days between Sophie Scholl’s arrest and her execution on 22 February 1943 as experienced by her cell neighbour Else Gebe. A stripped-down, theatre-like approach which gives room to Scholl’s thoughts, her convictions and joys.
