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Shinjū is a Japanese term meaning "double suicide", used in common parlance to refer to any group suicide of two or more individuals bound by love, typically lovers, parents and children, and even whole families.
Similar to the fate of the star-crossed lovers in Romeo and Juliet, Double Suicide by Masahiro Shinoda is Shakespearean in its theme of lovers who are forbidden by society's rules to be together and can only find fulfillment in death.
Double Suicide (心中天網島, Shinjū Ten no Amijima) is a 1969 Japanese historical drama film directed by Masahiro Shinoda. It is based on the 1721 bunraku (traditional puppet theatre) play The Love Suicides at Amijima by Monzaemon Chikamatsu.
A person who enters into an Internet suicide pact can also be lying intentionally. William Francis Melchert-Dinkel is an example of a person who made multiple Internet suicide pacts, in which he falsely promised to hang himself after the other person died by suicide.
Successful and married with children, paper-mill owner Jihei knows better than to contradict the strict social and moral codes of 18th-century Japan. But when he meets the lovely courtesan Koharu, he becomes a man obsessed.
In this striking adaptation of a Bunraku puppet play (featuring the music of famed composer Toru Takemitsu), a paper merchant sacrifices family, fortune, and ultimately life for his erotic obsession with a prostitute. Criterion is proud to present Double Suicide in a stunning digital transfer, with a new and improved English subtitle translation.
This film is a close adaptation of Chikamatsu’s 1720 doll-drama The Double Suicide at Ten No Amijima, and traces a basic conflict in Japanese drama, giri-minjo, between social obligation and personal emotion in the bourgeois milieu.
