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  1. A terrible beauty is born. That woman's days were spent. In ignorant good-will, Her nights in argument. Until her voice grew shrill. What voice more sweet than hers. When, young and beautiful, She rode to harriers? This man had kept a school. And rode our wingèd horse; This other his helper and friend. Was coming into his force;

  2. The oxymoronic refrain of the poem, “a terrible beauty is born,” entered the language as Shakespeare’s “to be or not to be” or Pope’s “fools rush in where angels fear to tread” did. In “Easter, 1916,” focused so closely on an unsuccessful struggle in Ireland’s fight for independence, Yeats had timeless and universal things ...

    • Summary
    • Analysis of Easter, 1916
    • Poetic Form
    • About William Butler Yeats

    Easter, 1916 opens with Yeats remembering the rebels as he passed them on the street. Before the Rising, they were just ordinary people who worked in shops and offices. He remembers his childhood friend Constance Markievicz, who is “that woman”; the Irish language teacher Padraic Pearse, who “kept a school” called St. Enda’s; the poet Thomas MacDon...

    Stanza One

    The first stanzadescribes Dublin, where the revolutionaries lived and worked. Dublin is known for its “eighteenth-century houses,” rows of connected and identical four-story brick homes, each doorway made distinctive by “fan light” windows. Yeats himself lived in one such house, at 82 Merrion Square. In this stanza of Easter, 1916 not much happens other than remembering how he and the rebels exchanged pleasantries on the street or talked at the “club.” The club was a traditional gentleman’s s...

    Stanza Two

    In the second stanza of Easter, 1916, Yeats begins to name the rebels by their social roles. Their names will be listed directly in the fourth and final stanza of the poem. The people Yeats mentions in the text are actual historical figures. He remembers that Constance Markievicz, one of the leaders of the Easter Uprising. She is known to have designed the Citizen Army uniform. He states that she was sweeter before arguing for Irish independence. This is seen through the second instance of me...

    Stanza Three

    The third stanza of Easter, 1916 introduces an extended pastoralmetaphor. The rebels have hardened their hearts against the English, and have focused on “one purpose”—armed rebellion. The hearts of these rebels are compared to a stone that “troubles” a stream of history. Not only are the hearts representative of the entire person, but they are also referred to as stones. They are immovable, dedicated to one purpose. It is at this point that Yeats changes his tone towards the rebels. They are...

    The stanzas ofEaster, 1916 intentionally have an irregular line length and meter. Stanzas 1 and 3 are divided into 16 lines, representing both the year 1916 and the 16 men who were executed after the Easter Rising. These stanzas also are scenic in character, invoking the landscape of Dublin city and the surrounding Irish countryside. Stanzas 2 and ...

    William Butler Yeats(1865-1939) was born and raised in Dublin, Ireland. He was considered Anglo-Irish, descending from English Protestant settlers. Considered one of the twentieth century’s great poets and visionaries, Yeats won the Nobel Prize for Literature in 1923. Yeats knew many of the rebels involved in the Easter Rising. He himself was in En...

  3. I write it out in a verse— MacDonagh and MacBride And Connolly and Pearse Now and in time to be, Wherever green is worn, Are changed, changed utterly: A terrible beauty is born.

  4. en.wikipedia.org › wiki › Easter,_1916Easter, 1916 - Wikipedia

    Easter, 1916 is a poem by W. B. Yeats describing the poet's torn emotions regarding the events of the Easter Rising staged in Ireland against British rule on Easter Monday, April 24, 1916. The uprising was unsuccessful, and most of the Irish republican leaders involved were executed.

  5. Apr 23, 2018 · The repeated line, ‘A terrible beauty is born’, which may have been inspired by Ford Madox Ford’s 1915 poem ‘Antwerp’, presents us with an oxymoron that almost calls up the Sublime, and that mixture of awe and terror which so arrested and captivated the Romantics. What will the events of the Easter Rising mean for the future of Ireland?

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  7. A terrible beauty is born. That woman's days were spent. In ignorant good-will, Her nights in argument. Until her voice grew shrill. What voice more sweet than hers. When, young and beautiful, She rode to harriers? This man had kept a school. And rode our winged horse; This other his helper and friend. Was coming into his force;