Dr. Isaac Barr
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Final Analysis is a 1992 American neo-noir erotic thriller film directed by Phil Joanou and written by Wesley Strick from a concept by forensic psychiatrist Robert H. Berger. It stars Richard Gere , Kim Basinger , Uma Thurman , Eric Roberts , Keith David , and Paul Guilfoyle .
Feb 7, 1992 · Overview. A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both. Wesley Strick. Novel, Screenplay. Phil Joanou. Director. Robert Berger. Novel. Reviews 1. Discussions 0. A review by John Chard. 50 %
Isaac Barr (Richard Gere) is a psychologist treating Diana Baylor (Uma Thurman), but when he talks with her sister, Heather (Kim Basinger), about their troubled childhood, he finds his attentions...
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Apr 25, 2023 · Final Analysis (1992) A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both ...
Feb 6, 1992 · A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both. murder • sex scene • sister sister relationship • femme fatale • lust.
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Feb 7, 1992 · “Final Analysis” is a dedicated example of one of my favorite genres, the overwrought psychological thriller. It's the kind of movie where, if it doesn't end in a fight to the death high up in a lighthouse lashed with lightning, it should.
A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to get a divorce, but she is afraid of what her husband would do.
Final Analysis - Apple TV. Psychological thriller about a psychiatrist who becomes a murder suspect after allowing himself to become more than professionally involved with two wacky sisters. Thriller 1992 2 hr 4 min. 56%.
Feb 7, 1992 · Final Analysis is a crackling good psychological melodrama [from a screen story by Robert Berger and Wesley Strick] in which star power and slick surfaces are used to potent advantage. Tantalizing double-crosses mount right up to the eerie final scene.
