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  1. en.wikipedia.org › wiki › RoRo.Go.Pa.G. - Wikipedia

    Ro.Go.Pa.G. (also known as "RoGoPaG") is a 1963 film consisting of four segments, each written and directed by a different director. These include the French director Jean-Luc Godard (segment "Il nuovo mondo") and the Italian directors Ugo Gregoretti (segment "Il pollo ruspante"), Pier Paolo Pasolini (segment " La ricotta ") and Roberto ...

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  3. www.imdb.com › title › tt0056171Ro.Go.Pa.G. (1963) - IMDb

    Ro.Go.Pa.G.: Directed by Jean-Luc Godard, Ugo Gregoretti, Pier Paolo Pasolini, Roberto Rossellini. With Rosanna Schiaffino, Bruce Balaban, Maria Pia Schiaffino, Jean-Marc Bory. Four short films by four different directors dealing with the principles of modern life.

    • (2.3K)
    • 1963-02-19
    • Comedy, Drama
    • 122

  4. www.youtube.com › watchRo.Go.Pa.G. (1963) ORIGINAL TRAILER [HD 1080p] - YouTube

    Aug 18, 2019 · The original and subtitled trailer in high definition of RoGoPaG consisting of four segments directed by Roberto Rossellini, Jean-Luc Godard, Pier Paolo Paso...

    • 5 min
    • 3K
    • HD Retro Trailers

  5. play.google.com › store › moviesRo.Go.Pa.G. – Movies on Google Play

    Ro.Go.Pa.G. is a 1963 film consisting of four segments, each written and directed by a different director. These include the French director Jean-Luc Godard and the Italian directors...

  6. mubi.com › en › usRo.Go.Pa.G. (1963) | MUBI

    Critics reviews. A quartet of short films from Jean-Luc Godard, Roberto Rossellini, Pier Paolo Pasolini and Ugo Gregoretti, covering everything from romantic frisson to the apocalypse to Orson Welles making a movie about Jesus Christ.

  7. www.imdb.com › title › tt0056171Ro.Go.Pa.G. (1963) - Plot - IMDb

    4 short films by a quartet of directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American.

  8. letterboxd.com › film › rogopagRo.Go.Pa.G. - Letterboxd

    Rossellini's film follows a man on a trip who takes the opportunity to pursue a stewardess. He doesn't take no for an answer, manipulates her, and generally acts creepy. Films today would still be making this man the hero, but Rossellini, bless him, makes it clear that he's a creep.