Abhay
Search results
Hamid is an Indian drama film directed by Aijaz Khan. The film stars Rasika Dugal, [5] [6] [7] [8] Vikas Kumar and Talha Arshad Reshi in major roles, and is an adaptation of the play Phone No. 786 by Mohd. Amin Bhat. [2]
Mar 15, 2019 · Hamid: Directed by Aijaz Khan. With Talha Arshad Reshi, Vikas Kumar, Rasika Dugal, Sumit Kaul. Eight year-old Hamid learns that 786 is God's number and decides to try and reach out to God, by dialing this number.
Mar 14, 2019 · Story: A seven-year-old boy, in a quest to have his father back, calls a number he believes is God’s own cell phone. He reaches a CRPF Jawan instead, who pretends to be God and plays along, and an interesting friendship ensues.
Mar 15, 2019 · Sometimes, a film comes exactly at the right time. Hamid, set in strife-torn Kashmir, tells us that there is still hope, something we desperately need in our worn, troubled nation. Eight-year-old Hamid (Reshi) makes a call to Allah, and lo, Allah answers.
Mar 13, 2019 · Hamid is a disarmingly simple, fable-like tale depicting the repercussions of protracted, intractable political turmoil both on the combatants and ordinary...
'Hamid' is a beautiful portrayal of loss, love and longing in one of the world's most troubled and militarised zones, Kashmir. Rehmat (Sumit Kaul) is missing, who is father to seven-year-old Hamid (Talha Arshad Reshi) and husband to Ishrat.
Stream 'Hamid' and watch online. Discover streaming options, rental services, and purchase links for this movie on Moviefone. Watch at home and immerse yourself in this movie's story anytime.
Mar 13, 2019 · A poignant story is simultaneously tragic and empathetic, a feat not many films even attempt to claim, but director Aijaz Khan's 'Hamid' nearly nails it.
Hamid is a 2018 Indian drama film, directed by Aijaz Khan and produced by Yoodlee Films. The film stars Talha Arshad Reshi, Vikas Kumar, and Rasika Dugal in lead roles.
Mar 15, 2019 · Hamid Movie Review: An Endearingly Simple, If Slightly Simplistic, Depiction Of Childhood Trauma. There is plenty of sad-violin music and stilted acting, but the sheer clarity of the analogies – of mortality, divinity, closure – rescues Hamid. Rahul Desai.
