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Walter Hill (born January 10, 1940) is an American film director, screenwriter, and producer known for his action films and revival of the Western genre. He has directed such films as The Driver , The Warriors , Southern Comfort , 48 Hrs. and its sequel Another 48 Hrs. , Streets of Fire and Red Heat , and wrote the screenplay for the crime drama The Getaway .
Walter Hill. Writer: 48 Hrs.. Hill was born in Long Beach, California and educated at Mexico City College and Michigan State University. He worked in oil drilling and construction in the 60s before becoming a 2nd assistant director in 1967.
- January 1, 1
- 2 min
- Long Beach, California, USA
May 22, 2019 · Walter Hill is a legendary director, writer, and producer, so let's revisit his work from worst to best. Hill began his career as a screenwriter on projects like Steve McQueen's The Getaway . After launching his directing career in 1975 he quickly established his own style; terse dialogue, brutal action scenes, and non-flashy camerawork.
- Senior Staff Writer
Sep 30, 2022 · After a rich career, here’s why Walter Hill is back in the saddle with ‘Dead for a Dollar’. Walter Hill at his Beverly Hills home. (Christina House/Los Angeles Times) By Mark Olsen Staff ...
- mark.olsen@latimes.com
- Staff Writer
Walter Hill. Writer: 48 Hrs.. Hill was born in Long Beach, California and educated at Mexico City College and Michigan State University. He worked in oil drilling and construction in the 60s before becoming a 2nd assistant director in 1967. He has written and co-written screenplays, including several uncredited works. He has produced and directed films since 1975.
- January 10, 1942
Apr 12, 2024 · By Jim Hemphill. April 12, 2024 4:00 pm. Walter Hill. Nicolas Aproux. Share. On April 14, one of America’s greatest living screenwriters will receive an honor he has long deserved when the ...
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Mar 15, 2023 · As a director, Hill is known for his lean, muscular action movies, films that hybridised genres to electric effect. From westerns like The Long Riders (1980) and Wild Bill (1995) to neo-noirs like The Driver (1978) and Johnny Handsome (1989), Hill’s singular adaptability has seen him take the changes wrought by New Hollywood and the resurgent studio system of the 1980s in his stride.
