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Thomas Arslan (born 16 July 1962) is a German-Turkish film director. He directed more than ten films since 1990. Selected filmography
Thomas Arslan was born on 16 July 1962 in Braunschweig, Lower Saxony, Germany. He is a director and writer, known for Dealer (1999), Gold (2013) and Verbrannte Erde (2024).
- January 1, 1
- 1 min
- Braunschweig, Lower Saxony, Germany
- Leben
- Filme
- Weblinks
- Einzelnachweise
Der Sohn eines türkischen Vaters und einer deutschen Mutter ist in Essen aufgewachsen, besuchte die Grundschule in Ankara, danach kehrte er nach Essen zurück. Nach dem Abitur leistete er seinen Zivildienst ab und studierte kurze Zeit Germanistik. Von 1986 bis 1992 studierte er Regie an der Deutschen Film- und Fernsehakademie Berlin. Nach einer Reih...
1994: Mach die Musik leiser (Fernsehfilm: Das kleine Fernsehspiel)1994: Deutschländer (Kamera)1995: Mädchen am Ball (Kamera)1997: Geschwister – Kardeşler(Drehbuch, Schnitt, Regie)Thomas Arslan bei IMDbFilmkritik zu Der schöne Tagauf wsws.orga b Thomas Arslan auf der Webseite der UdK, abgerufen am 29. März 2013Thomas Arslans Berlin-Trilogiearsenal-berlin.de, abgerufen am 29. März 2013Jan 3, 2018 · Arslan sat down with Film Comment following the premiere of Bright Nights at the 67th Berlinale to discuss his incremental move away from genre cinema, the role of remote landscapes in his recent work, and the serendipitous moments that lend his latest film its unique aura.
Dec 16, 2020 · In Thomas Arslan’s films, his solitary characters often wander. Whether it is with defined purposes, like the cold thrill of a new heist job in underworld Berlin, or more elusive ones where the city becomes its own maze for reticent self-reflection—the spaces they pass through reveal a subtler internal tension beyond its overt narrative.
Nov 18, 2010 · Interview with director Thomas Arslan, whose film "In the Shadows" screened at the Estoril Film Festival 2010. Trojan is a professional criminal who speciali...
Dec 5, 2013 · L et us begin our exploration of the cinema of the Berlin School by turning to a filmmaker of the group's first wave—a director who by virtue of his ethnic background is cast as being concerned with the representation of (ethnic) identity: Thomas Arslan.
