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Edo Van Breemen is a Canadian musician and composer from Vancouver, British Columbia. He is most noted for his work on the film Handle With Care: The Legend of the Notic Streetball Crew , for which he and his frequent collaborator Johannes Winkler received a Canadian Screen Award nomination for Best Original Music in a Documentary at the 11th ...
Known for collaborating with various international artists including Klangkarussell, Edo van Breemen, Rusanda Panfili, Felix Jaehn and Jordan Haller (Givven), Johannes released many of his musical compositions in numerous movies and tv shows such as “Unbroken: The Snowboard Life of Mark McMorris,” “Zerschlag mein Herz,” and “Netflix ...
View Edo Van Breemen’s profile on LinkedIn, a professional community of 1 billion members. Co-founder of Lobe Studio, immersive sound/haptic designer working with 4DSOUND, composer, court jester.
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My first @edo___otto release - “Trincomali” ep is out today. Link in bio. Recorded + mixed on Galiano Island featuring enchanting performances from ‘North Island All-Stars’: Rob Butterfield on tape ops @123fakestreetstudio Jeff Innes surf licks @__yung_santa__ Dan Gaucher riddim @d_gaucher Alex bass n’groove Nelson @alexbnelson Mastered by: @johanneswinkler_composer Special thanks to @pendamental for additional engineering & editing and @julesville_ & @angellllllllllla design ...
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Edo is a composer and immersive sound producer with a background in classical piano, live performance, and film scoring. His work with 4DSOUND and the Spatial Sound Institute, The Mind, Body, and Inner-Ear, involves designing and composing acoustic environments for augmenting cognitive behavioral and somatic therapy modalities.
Edo Van Breemen is a spatial sound composer and experience designer. He is a co-founder of Lobe Studio (lobestudio.ca) in Vancouver BC, the first 4DSOUND venue to be integrated with a multi-channel haptic floor.
Synopsis: Handle With Care chronicles the rise, fall and rebirth of The Notic, an upstart streetball collective from Canada in the early 2000s. While their creative basketball moves brought them global fame as teenagers, it set them at odds with the status quo in a battle involving self-expression, race and rejection.
