Search results
Cesare Pugni (Italian pronunciation: [ˈtʃeːzare ˈpuɲɲi, ˈtʃɛː-]; Russian: Цезарь Пуни, romanized: Cezar' Puni; 31 May 1802, in Genoa – 26 January [O.S. 14 January] 1870) was an Italian composer of ballet music, a pianist and a violinist.
Cesare Pugni was the most prolific of ballet composers, having composed close to 100 known original scores for the ballet and adapting or supplementing many other works. He composed myriad incidental dances such as divertissements and variations, many of which were added to countless other works.
Cesare Pugni. (1802—1870) Quick Reference. ( b Genoa, 31 May 1802; d St Petersburg, 26 Jan. 1870) Italian composer. It is believed he wrote more than 300 ballets, which arguably made him the most prolific ballet composer in history. He wrote his first ballet for La Scala, Milan, in 1823: Il castello di Kenilworth (chor. Gaetano Gioja).
Mar 15, 2024 · Cesare Pugni - La Esmeralda. Esmeralda, the plot of which is inspired by Victor Hugo's novel "Notre Dame de Paris", has been living on the ballet stage for more than a century and a half.
- 145 min
- 13
- Only The Most Famous Classical Music
One of the greatest Italian composers of the 19th century, Cesare Pugni worked in St Petersburg. Find out more about the life of Cesare Pugni and other great Italians in Saint Petersburg.
Cesare Pugni was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870 ...
People also ask
Who was Cesare Pugni?
How many ballet scores did Cesare Pugni write?
What is Pugni best known for?
When did Pugni create music?
Cesare Pugni was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870).
