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  1. en.wikipedia.org › wiki › Hasse_EkmanHasse Ekman - Wikipedia

    Hasse Ekman is probably Sweden's most successful and critically acclaimed film director from the period after Sjöström and Stiller and prior to Ingmar Bergman, peaking between the mid-1940s and 1950. He was greatly influenced by filmmaker Orson Welles and also by episodic-films.

  2. www.imdb.com › name › nm0252475Hasse Ekman - IMDb

    Hasse Ekman. Writer: Sommarnöje sökes. Being the son of actor / theatre director Gösta Ekman, it was natural for him to start a career in the movie business. He was first noticed for playing against his father in Intermezzo (1936). He also showed a talent for writing, and his first script was filmed as Blixt och dunder (1938).

    • January 1, 1
    • Stockholm, Stockholms län, Sweden
    • January 1, 1
    • Marbella, Málaga, Andalucía, Spain
  3. Hans Gösta "Hasse" Ekman, född 10 september 1915 i Oscars församling i Stockholm, död 15 februari 2004 i Marbella, Spanien, var en svensk regissör, manusförfattare, skådespelare, producent och sångtextförfattare. Han var son till Gösta Ekman den äldre och far till Gösta Ekman den yngre .

  4. Sep 9, 2015 · Hasse Ekman, born in 1915, was in many respects a fortunate man. As the son of the celebrated Swedish actor Gosta Ekman, Hasse had a ready-made entry point into theatre and film. At age 21 he played Gosta’s on-screen son in the Swedish version of “Intermezzo” (1936).

  5. Hasse Ekman (10 September 1915 – 15 February 2004) was a Swedish director, actor, writer and producer for film, stage and television. Hasse Ekman is probably Sweden's most successful and critically acclaimed film director pre Ingmar Bergman (and aside from him) and post Sjöström and Stiller, with his peak in mid-1940s to the year 1950.

  6. Hasse Ekman. Writer: Sommarnöje sökes. Being the son of actor / theatre director Gösta Ekman, it was natural for him to start a career in the movie business.

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  8. Hasse Ekman. Actor 1915-2004. Back in the 1940s Hasse Ekman and Ingmar Bergman were both protégés of Lorens Marmstedt, and by the early 1950s they were regarded as two of Sweden's most promising young film directors.