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- At the Thirteenth Annual Awards Banquet of the Academy of Motion Picture Arts and Sciences, Barnes was proclaimed the winner of the 1940 Academy Award for the year's best black-and-white cinematography, in recognition of his skill in filming " Rebecca."'
the.hitchcock.zone/wiki/American_Cinematographer_(1941)_-_George_Barnes_Wins_1940_Academy_AwardAmerican Cinematographer (1941) - George Barnes Wins 1940 ...
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Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.
The 12th Academy Awards ceremony, held on February 29, 1940 by the Academy of Motion Picture Arts and Sciences (AMPAS), honored the best in film for 1939 at a banquet in the Coconut Grove at The Ambassador Hotel in Los Angeles. It was hosted by Bob Hope, in his first of nineteen turns as host.
Mar 28, 2021 · By the 1940s, two full Academy Awards were given out for cinematography each year, divided into black & white and color. This would continue until 1967 when color and black & white films would finally be judged against each other for a single Best Achievement in Cinematography award.
At the Thirteenth Annual Awards Banquet of the Academy of Motion Picture Arts and Sciences, Barnes was proclaimed the winner of the 1940 Academy Award for the year's best black-and-white cinematography, in recognition of his skill in filming " Rebecca ."'
In the 9th through 11th ceremonies (1936–38), a special award was given for color cinematography, and from the 12th to the 39th ceremonies (1939–66), except for the 30th ceremony (1957), separate Academy Awards were given for color and black-and-white cinematography.
The film won the 1939 New York Film Critics Award for Best Film. It earned nominations for eight Academy Awards, including for Best Picture, Best Director and Best Actor. The 1940 Academy Award for Best Cinematography, black-and-white category, was awarded to Gregg Toland for his work.