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A young couple trying for a baby moves into an aging, ornate apartment building on Central Park West, where they find themselves surrounded by peculiar neighbors.
As different as the three films remain in scope and story, the trio that consists of Repulsion, Rosemary’s Baby, and The Tenant each use the confined apartment setting as a vehicle to explore larger allegories of the horrors at hand, with each film also depicting a main character battling the possibilities of mental illness and a supernatural ...
A young couple trying for a baby moves into an aging, ornate apartment building on Central Park West, where they find themselves surrounded by peculiar neighbors. Director: Roman Polanski | Stars: Mia Farrow , John Cassavetes , Ruth Gordon , Sidney Blackmer
The film stars Polanski, Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Bernard Fresson, Lila Kedrova, Claude Dauphin and Shelley Winters. It is the final installment in Polanski's "Apartment Trilogy", following Repulsion (1965) and Rosemary's Baby (1968).
Oct 9, 2020 · The Tenant – 1976 Polanski. A gigantic achievement, the final chapter of Polanski’s unofficial urban paranoia set of films best known as the apartment trilogy with Repulsion (1965), Rosemary’s Baby (1968)—and I am not sure all three aren’t masterpieces.
Aug 9, 2018 · As promised, I have for your reading pleasure a review and analysis of the third film in Roman Polanski’s Apartment Trilogy. And that film is The Tenant! Polanski himself stars as “the tenant”, a mild-mannered man who is having all kinds of trouble adjusting to his environment in a new…
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The reality Polanski works in from film to film is mutable, and the lines separating what takes place in and outside the minds of his characters are deliberately obscured. But each entry in the trilogy retains an unnervingly plausible strain of psychological realism, even when courting the supernatural.
