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Anita Doron (born June 3, 1974) is a Hungarian-Canadian film director, screenwriter, producer, cinematographer, author, and a 2010 TED Fellow. Doron is best known for her 2012 film adaptation of the 1996 novel The Lesser Blessed , written by Canadian author Richard Van Camp .
Anita Doron. Director: The End of Silence. Born into a family of mountaineering engineers in Transcarpathia in the former USSR, Anita Doron is an award-winning Canadian-Hungarian writer, director and story editor.
- Director, Writer, Cinematographer
- June 3, 1974
- Anita Doron
Nov 15, 2017 · Growing up in the former Soviet Union, filmmaker Anita Doron knew very little about Afghanistan. To a young Soviet girl in the 1980s, the country was a distant, enigmatic place where soldiers went during the nine-year Soviet–Afghan War, and never came back.
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773 Followers, 824 Following, 1,064 Posts - Anita Doron (@electrospirit) on Instagram: "Screenwriter of oscar nominated @thebreadwinnermovie director #thelesserblessed Senior #tedfellow disciple of folly"
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Anita Doron. Director: The End of Silence. Born into a family of mountaineering engineers in Transcarpathia in the former USSR, Anita Doron is an award-winning Canadian-Hungarian writer, director and story editor. Her movies have screened at the Toronto International Film Festival, SXSW and at the International Film Festival Rotterdam. The Lesser Blessed, which she wrote and directed, received a Canadian Screen Award nomination for Best Adapted Screenplay. Anita's most recent...
- June 3, 1974
May 31, 2013 · Anita Doron’s first feature film, The Lesser Blessed, is a love story that takes place in a remote community in the Northwest Territories. This moving film is being released theatrically in Canada today, and will arrive in the U.S. on June 13th. As it opens, we asked Doron to tell us about the film, her path from poet to filmmaker, and about ...
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Jun 27, 2014 · Filmmaker and storyteller Anita Doron chose Wiesenburg — which once served as the set for The Tin Drum — to create an experiential installation about memory, dislocation, and the fuzziness of one’s defined inner borders. Here, Doron on why she chose this space: “I love abandoned and decaying spaces.
