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  1. Tomas Eskilsson was born on 2 January 1958 in Norrbotten, Sweden. He is a producer and executive, known for Border (2018) , Thelma (2017) and The Wave (2015) . Born January 2, 1958

    • Producer, Additional Crew, Executive
    • January 2, 1958
    • Tomas Eskilsson
  2. Mar 24, 2022 · Cineuropa interviewed Tomas Eskilsson, the author of a recent report on public financing titled Public Film Funding at a Crossroads (see the news).The main purpose of this piece of research, based on a large number of dialogue-based seminars and interviews with industry representatives, is to lay the foundations for a European-wide debate regarding the objectives, arguments, tasks and methods of public film funding.

    • Davide Abbatescianni
  3. Tomas Eskilsson is the head of Film Analysis of Film i Väst, one of Europe's largest regional film funds. He will share insights from a pan-European study and has co-produced over 775 feature films, including notable works by Lars von Trier, Thomas Vinterberg, and Niels Arden Oplev. During the last 25 years, Film i Väst has co-produced close ...

  4. Feb 5, 2016 · GOTEBORG– Swedish producer Tomas Eskilsson has since 1992 headed up Swedish regional film centre, Film Väst, in Trollhättan, one of Europe’s best-know regional film hubs.

  5. Oct 5, 2023 · Film i Väst Analysis: Eleven country reports on European film future. During the film festival in Venice, Tomas Eskilsson from Film i Väst Analysis introduced the second part of the unique, pan-European study Public Film Funding at a Crossroads: All that is solid melts into air. It is a research project in three parts that explores and ...

  6. Tomas Eskilsson is the founder and former CEO of Film i Väst, the Head of Film i Väst Analytics. Film i Väst Analytics is the research department at Film i Väst, working with audiovisual sector analyses and reports. Film i Väst is Scandinavia’s leading film fund and one of the most influential regional film funds in Europe.

  7. Mar 24, 2022 · 24/03/2022 - The film producer answered a few questions about his report on public financing, recently published by Sweden’s Film i Väst