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  1. Kazimierz Serocki (3 March 1922 – 9 January 1981) was a Polish composer and one of the founders of the Warsaw Autumn contemporary music festival. [1] Life. Serocki was born in Toruń. He studied composition with Kazimierz Sikorski and piano with Stanisław Szpinalski at the State Higher School of Music in Łódź and graduated in 1946.

  2. May 8, 2024 · Kazimierz Serocki (born March 3, 1922, Toruń, Poland—died January 31, 1981, Warsaw) was a Polish composer who was a founding member, with Jan Krenz and Tadeusz Baird, of the Group 49 movement, which helped gain international recognition for post-World War II Polish music.

    • The Editors of Encyclopaedia Britannica
  3. Kazimierz Serocki was born in Toruń on 3 March 1922 and died in 1981. He studied composition with Kazimierz Sikorski and piano with Stanisław Szpinalski at the State Higher School of Music in Łódź and graduated in 1946.

  4. Dec 11, 2019 · Kazimierz Serocki, a leading figure of avant-garde in the modern polish music, amazes listeners with the diversity of interests visible in his works, which goes together with his active personal life. After he had finished studying piano and composing in Poland, he continued his education in Paris.

  5. brahms.ircam.fr › en › composersKazimierz Serocki

    Kazimierz Serocki began to study piano at the age of four with Maria Drzewiecka in his hometown of Toruń, Poland. Passing through the Conservatory of the Pomeranian Music Society in Toruń, he completed his studies in 1946 at the State Higher School of Music in Łódź in the piano classes of Stanisław Szpinalski and the composition class of ...

  6. Despite his resemblance to a boxer, Serocki was shy and kept his cards close to his chest. There was no easy way to make this extremely creative, prolific composer share his thoughts on his own music.

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  8. musicinmovement.eu › composers › kazimierz-serockiBiography Music In Movement

    “The primacy went to the peerless Kazimierz Serocki, who in Beethovens Piano Concerto in C minor displayed considerable talent as a pianist as well as full understanding of the style of the work, profound sense of phrasing and mastery of the instrument.”