Search results
Westworld. (Theatre of Hate album) Westworld is the first studio album by English post-punk band Theatre of Hate. It was released in February 1982 by record label Burning Rome, prior to the band's dissolution in 1983. It was produced by Mick Jones of the Clash .
Nov 19, 2016 · Now, with early-80s tribal allegiances as dead as an influential weekly music press, it’s possible to listen to TOH’s 1982 Westworld debut without prejudicial baggage, and it’s an extraordinary piece of work. Brandon’s unique post-punk vision set his soaring, passionate vocals and big, fat Gretsch against a widescreen Mick Jones production backdrop that’s spacious, evocative, cinematic and heroic.
Michael Geoffrey Jones (born 26 June 1955) is a British musician, singer, songwriter, and record producer best known as co-founder and lead guitarist of punk rock band the Clash, until his dismissal by frontman Joe Strummer in 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with ...
Nov 17, 2016 · With The Clash’s Mick Jones in the producer’s chair, TOH began work on what would become a milestone in Post Punk history – WESTWORLD! With a mix of tribal rhythms, Spaghetti Western riffs, Post Punk guitar slashing and Brandon’s passionate wailing, Theatre Of Hate was a band unlike any other.
Jan 17, 2019 · The Clash’s Mick Jones produced their debut album Westworld, the single ‘Do You Believe in the Westworld?’ a minor UK hit (No.40) in early 1982, while the LP reached No.17. But by the following year, it was all over, Kirk and Stan reconvening with Lascelle James (saxophone) and Chris Bell (drums) to form Spear of Destiny, showcasing a more melodic, less aggressive sound, moving further towards mainstream pop.
People also ask
Did Mick Jones record 'Westworld'?
Who wrote Westworld?
How did Westworld become a 'entity'?
How did Mick Jones become famous?
Dec 18, 2016 · As for the ‘Westworld’ Box Set…am genuinely proud that finally it has come out on CD in a really well packaged way. It is too important to not have. It confounded people at the time perhaps, but with hindsight was so ahead of what was to come. The entire audio landscape constructed by Mick Jones was and still is, brilliant. Unreservedly.