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  1. Frank Richard Jones (September 7, 1893 – December 14, 1930) was an American director, screenwriter, and producer. Early life and career. Born in St. Louis, Missouri, Dick Jones was sixteen years old when he became involved in the fledgling film industry in his hometown with the Atlas film company.

  2. F. Richard Jones. Director: Flying Pat. One of the moving forces of early American silent comedy, F. Richard Jones made dozens of hilarious two-reel comedies for Mack Sennett in the mid-teens and early 1920s, featuring such stars as Louise Fazenda, Slim Summerville, Edgar Kennedy and Ben Turpin.

    • January 1, 1
    • St. Louis, Missouri, USA
    • January 1, 1
    • Hollywood, California, USA
  3. F. Richard Jones. Director: Flying Pat. One of the moving forces of early American silent comedy, F. Richard Jones made dozens of hilarious two-reel comedies for Mack Sennett in the mid-teens and early 1920s, featuring such stars as Louise Fazenda, Slim Summerville, Edgar Kennedy and Ben Turpin.

    • September 7, 1893
    • December 14, 1930
  4. Sep 7, 2019 · F. Richard Jones (1893-1930) was a director of great silent comedy classics and was positioned to be one of the top directors of talking pictures for a good many years if tuberculosis hadn’t taken him away at the young age of 37.

  5. F. Richard Jones is known as an Director, Production Supervisor, Supervising Producer, Story, Co-Director, Producer, Production Manager, and Writer. Some of his work includes Bulldog Drummond, Mickey, The Extra Girl, Yankee Doodle in Berlin, The First 100 Years, The Gaucho, Down on the Farm, and Ambrose's First Falsehood.

  6. Mar 17, 2019 · Douglas Fairbanks as The GauchoA girl is saved by a miracle after she falls from a cliff in the Argentine Andes, and is blessed with healing powers. A shrine.

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  8. We credit the film’s director, F. Richard Jones, and its main photographers, Antonio Gaudio and Abe Scholtz, as these tests were critical to the production, and Pickford was the principal performer. There is some debate over whether or not the public actually saw the Technicolor grotto prologue.