Search results
Bimal Roy (12 July 1909 – 7 January 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin, Parineeta, Biraj Bahu, Devdas, Madhumati, Sujata, Parakh and Bandini, making him an important director of Hindi cinema.
Jul 12, 2023 · On Bimal Roy's 114th birth anniversary, we look back at his passion towards filmmaking and how he redefined Hindi cinema with films like Bandini, Sujata and Do Bigha Zamin.
Jul 12, 2024 · Gulzar saw Bimal Roy as a father figure and it was one affectionate statement by Bimal da that changed the course of Gulzar's career.
All his films with synopsis, main cast and how it was received. He is particularly noted for his realistic and socialistic films. His work is particularly known for his mise en scène which he employed to portray realism.
Bimal Roy (July 12, 1909 - January 8, 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin (1953), Bandini (1963), Biraj Bahu (1954), Madhumati (1958) which he employed to portray realism.
Bimal Roy, the ‘Silent Master of Indian Cinema’, ushered in the golden age of Indian Cinema in the 1940’s. A socially committed director, his films had the power to inspire and move audiences.
Jan 5, 2024 · The director of Do Bigha Zamin did India proud at Cannes. Here's a look at the best Bimal Roy movies and where to stream them.
Jun 18, 2019 · The 1953 film Parineeta, based on Sarat Chandra Chattopadhyay’s novel, followed, and this was also one of Roy’s masterpieces. Its success led to the establishment of Roy’s own production unit, Bimal Roy Productions, now making him an independent filmmaker.
Dec 31, 2017 · As long as Bimal Roy made Bengali films, they were a part of a certain kind of Bengali tradition. It was only after he came to Bombay that there was a change.
Bimal Roy (July 12, 1909 - January 8, 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin (1953), Bandini (1963), Biraj Bahu (1954), Madhumati (1958) which he employed to portray realism.
