Search results
Jade Healy is a Canadian production designer based in Los Angeles. [1] [2] She is known for her production design work on the films The Green Knight, Marriage Story, A Ghost Story, and I, Tonya.
Jade Healy is a Los Angeles based production designer who was born on January 15, 1981 in Montreal, Quebec, Canada. She has worked on numerous acclaimed films including Craig Gillespie's "I, Tonya" (2017), Yorgos Lanthimos' "The Killing of a Sacred Deer" (2017), David Lowery's "A Ghost Story" (2017) and "Pete's Dragon" (2016), and Ti West's "In ...
- January 1, 1
- 2 min
- Montreal, Quebec, Canada
5,633 Followers, 2,286 Following, 895 Posts - See Instagram photos and videos from Jade Healy (@jadeheals)
- 5.7K
- 34 sec
Dec 4, 2019 · Space & Separation: MARRIAGE STORY Production Designer Jade Healy. MARRIAGE STORY is filmmaker Noah Baumbach's portrait of a marriage breaking up and a family staying together. The film stars...
- 3 min
- 17.7K
- Netflix: Behind the Streams
- Crafting A New Look For Camelot
- A More Intimate Round Table
- The Cottage of St. Winifred and Its Surrounds
- An “Intimidating” Home For The Lord and Lady
- The Lady’s Library: Books and An Anachronistic Camera
- “Guys, There’S Like This Abandoned Chapel Back here.”
- The Crooked Tower Comes Together
I found this French Abbey called L’abbaye du Thoronet, and it was so organic and beautiful and Romanesque. It had a simplicity to it. And I wanted to avoid fussiness. Often these sort of castles have so much going on. There are all of these ornate carvings. As soon as I saw it, it almost felt like a warm womb. It’s got a sand-colored brick and it s...
Healy: I was trying to find something that would really encompass the round table. We, of course, were limited by size. We weren’t a huge movie. We had a stage space and we had to figure out how to work within the limits of our space while we were building other sets as well. Often, as you start looking at castles, [you discover] they’re actually r...
Healy: As soon as I landed in Ireland, we got to drafting because we didn’t have that much prep. When I read the script, I knew in my head how it should look, and then it’s always just finding some reference images that are of the period. Based on these images that I found of these old cottages, we built the interiors next to the great hall right o...
Healy: For those locations we knew we’d have to find them because we didn’t have the money to build something like that. So, we were really looking for the right castle that could be the Lord and Lady’s. When we saw this castle, it was so interesting because it wasn’t [from] the same time period at all. But that’s where we felt we could jump into t...
It’s so fun. We knew the books were going to be fun to design because while finding these old ancient books, we had such amazing artists and craftsmen in Ireland. Our graphic designers shot all these beautiful drawings, just gorgeous. Amazing. And then for the camera, it was one of those things in the script where you knew at this point, you were m...
(Photo by © A24) We knew we just wanted this very overgrown castle. And, of course, you have something in your mind and if you could build it, there’s always this perfect green chapel, but then we found this one and it really was perfect. The ivy and all those greens were really overgrowing; in fact, we had to cut some of them back to let light in....
(Photo by © A24) That one was really fun because we had to figure out how to create the space, and we couldn’t build on the stage because there was no stage space. It was this creative problem-solving, because I knew exactly what I wanted it to look like, but it’s so hard when you have it in your head yet you can’t build it. That’s the suffering of...
Nov 6, 2019 · Production designer Jade Healy says, “I knew the colors that come with New York, and I know the colors and feelings that come with L.A. We wanted to elevate the story without distracting from...
People also ask
Who is Jade Healy?
What movies did Jennifer Healy produce?
How did Anne Healy bring the fabled sets to life?
Aug 18, 2021 · In imagining this version of Camelot, production designer Jade Healy and cinematographer Andrew Droz Palermo have captured magic in a bottle and created an aesthetically fine-tuned masterpiece, perfectly synthesizing the essence of its tale into a visual form that feels closer to a delicately deliberate fresco than a casual motion picture.
