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  1. en.wikipedia.org › wiki › Rolf_ThieleRolf Thiele - Wikipedia

    Rolf Thiele (7 March 1918 – 9 October 1994) was a German film director, producer and screenwriter. He directed 42 films between 1951 and 1977. He was born in Prödlitz, then in the Austro-Hungarian Empire. His 1958 film Eva was entered into the 1959 Cannes Film Festival.

  2. www.imdb.com › name › nm0857941Rolf Thiele - IMDb

    Rolf Thiele was born on 7 March 1918 in Prödlitz, Bohemia, Austria-Hungary [now in Ústí nad Labem, Czech Republic]. He was a director and producer, known for Rosemary (1958), Friederike von Barring (1956) and Wälsungenblut (1965). He died on 9 October 1994 in Munich, Bavaria, Germany.

    • Director, Producer, Writer
    • March 7, 1918
    • Rolf Thiele
    • October 9, 1994
  3. www.wikiwand.com › en › Rolf_ThieleRolf Thiele - Wikiwand

    Rolf Thiele (7 March 1918 – 9 October 1994) was a German film director, producer and screenwriter. He directed 42 films between 1951 and 1977. He was born in Prödlitz, then in the Austro-Hungarian Empire. His 1958 film Eva was entered into the 1959 Cannes Film Festival.

  4. Nov 19, 1976 · Rosemaries Tochter: Directed by Rolf Thiele. With Lillian Müller, Bela Ernyey, Werner Pochath, Hanne Wieder. Annemarie's mother, the well-known noble prostitute Rosemarie Nitribitt, was found murdered nearly twenty years ago.

    • (20)
    • Comedy
    • Rolf Thiele
    • 1976-11-19
  5. it.wikipedia.org › wiki › Rolf_ThieleRolf Thiele - Wikipedia

    Rolf Thiele (Ústí nad Labem, 7 marzo 1918 – Monaco di Baviera, 9 ottobre 1994) è stato un regista, sceneggiatore e produttore cinematografico tedesco.

  6. Rolf Thiele is known as an Director, Producer, Writer, Screenplay, and Author. Some of his work includes Rosemary, Grimm's Fairy Tales for Adults, Lulu, Die Halbzarte, Tonio Kröger, Frisch, fromm, fröhlich, frei, Komm nach Wien, ich zeig dir was!, and Venusberg.

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  8. Rolf Thiele’s Mamitschka (1955) was one of very few satirical films produced in postwar West Germany. It caricatured the contemporary narrative of the successful integration of postwar expellees and, in the process, flopped at the box office.