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4 days ago · Glass Eye Pix is the fierce independent NYC-based production outfit headed by award-winning art-horror auteur Larry Fessenden with the mission of supporting individual voices in the arts. Read more...
- Latest News
Since 1997 Glass Eye Pix has posted the latest NEWS to these...
- Cutting Room
READ >> How 1 Comedy Almost Completely Changed Kubrick’s...
- Hypothermia
Larry Fessenden, “Fishing Host” – L arry Fessenden, winner...
- Stake Land
Glass Eye Pix (“one of the indie scene’s most productive and...
- The House of The Devil
VANITY FAIR Jason Zinoman April 30, 2009. The House of the...
- Beneath
Along with BENEATH, his most recent film with Glass Eye Pix,...
- The Innkeepers
ENTERTAINMENT WEEKLY Lisa Schwarzbaum Feb 02, 2012. As a...
- Low Impact Filmmaking
(1992) As environmental concerns become increasingly urgent,...
- Latest News
Glass Eye Pix is an American independent film studio based in New York City, New York known primarily for producing horror films.
Glass Eye Pix (“one of the indie scene’s most productive and longest-running companies” —Filmmaker Magazine) is the fierce independent NYC-based production outfit headed by art-horror auteur Larry Fessenden (DEPRAVED, BENEATH, ABC’s of DEATH 2, NBC’s Fear Itself episode “SKIN AND BONES,” THE LAST WINTER, WENDIGO, HABIT, NO TELLING).
4,009 Followers, 463 Following, 705 Posts - Glass Eye Pix (@glasseyepix) on Instagram: "Glass Eye Pix is the fierce independent NYC-based production outfit headed by award-winning art-horror auteur Larry Fessenden".
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Late To The Party Dept: Shitty Rigss WRAP DRINKS Podcast chats with GEP pal and long-time collaborator Brian Spears, VFX maestro behind many Glass ...
Glass Eye Pix is the fierce independent NYC-based production outfit headed by award-winning art-horror auteur Larry Fessenden (THE LAST WINTER, WENDIGO, HABIT, NO TELLING) with the mission of...
Glass Eye Pix. 15,769 likes · 132 talking about this. Glass Eye Pix is the fierce independent NYC-based production outfit headed by award-winning art-horror auteur Larry Fessenden.