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Jean Epstein (French:; 25 March 1897 – 2 April 1953) was a French filmmaker, film theorist, literary critic, and novelist. Although he is remembered today primarily for his adaptation of Edgar Allan Poe 's The Fall of the House of Usher , he directed three dozen films and was an influential critic of literature and film from the early 1920s ...
Learn about the life and work of Jean Epstein, a pioneer of cinematic modernism who wrote influential books and made innovative films in the 1920s. Explore his ideas on the art of the present, the camera's eye, and the forbidden city of cinema.
- Stuart Liebman
Dec 20, 2010 · Learn about Jean Epstein, a pioneer of French Impressionism and a filmmaker who sought the essence of cinema in photogénie, a concept that combines cultural and aesthetic aspects. Explore his theory and practice of photogénie, his rejection of narrative, and his use of close-ups, movement, and rhythm.
- Robert Farmer
Filmmaker and theoretician Jean Epstein profoundly influenced film practice, criti-cism and reception in France during the 1920s and well beyond. His work not only forms the crux of the debates of his time, but also remains key to understanding later developments in film practice and theory. Epstein’s film criticism is among
As filmmaker and theorist, Jean Epstein has observed that the fundamental energies undergirding cinema are those that valorize both rapt attention (associated with stillness) and incessant flux (associated with movement), with a strong emphasis in his own work upon the latter.
Jul 1, 2014 · Amid the recent revival of interest in the work of Jean Epstein, Christophe Wall-Romana has produced a remarkably complete, intelligent, and sensitive monograph on Epstein's philosophy and cinematography.
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Jul 23, 2022 · A critical analysis of the Polish-born French filmmaker and theorist Jean Epstein's seminal book Bonjour Cinéma, published in 1921. The essay explores his original and influential ideas about the cinematic medium, its artistic and epistemological potential, and its relation to modernity.
