Search results
Dziga Vertov (Russian: Дзига Вертов, born David Abelevich Kaufman, Russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; 2 January 1896 [O.S. 21 December 1895] – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist.
Dziga Vertov was a Soviet motion-picture director whose kino-glaz (“film-eye”) theory—that the camera is an instrument, much like the human eye, that is best used to explore the actual happenings of real life—had an international impact on the development of documentaries and cinema realism during.
Dziga Vertov was born on 2 January 1896 in Bialystok, Grodno Governorate, Russian Empire [now Podlaskie, Poland]. He was a director and writer, known for Man with a Movie Camera (1929), Three Songs About Lenin (1934) and The Sixth Part of the World (1926).
Man with a Movie Camera (Russian: Человек с киноаппаратом, romanized: Chelovek s kinoapparatom) is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film.
Jan 2, 2016 · Jan. 2, 2016 is the 120th anniversary of the birth of this respected Russian film director. Dziga Vertov was the first to consider film not as a theatrical performance or a historical document...
Mar 21, 2003 · Dziga Vertov was born as Denis Abramovich (later changed to Arkadievich) Kaufman in a Jewish book-dealer’s family. As a child, he studied piano and violin, and at ten began to write poetry. Then, in 1916 Vertov enrolled in Petrograd Psychoneurological Institute.
A biography of Vertov presented here borrows from what appears to be the most informed English-language account of Vertov's life to this day, the film and Slavic literature scholar John MacKay's 2012 essay, "Dziga Vertov (1896-1954)".
Aug 12, 2019 · Yale professor John MacKay explores the legacy of the avant-garde Soviet filmmaker Dziga Vertov and his 1929 masterpiece, “Man with a Movie Camera.”
On April 15, a comprehensive retrospective of the films of DZIGA VERTOV opens at the Museum of Modern Art in New York. In the pages that follow, film scholar JOHN MACKAY assesses the continuing impact of Soviet cinema’s—perhaps simply cinema’s greatest innovator of nonfiction film form. Dziga Vertov, Man with a Movie Camera, 1929, still ...
May 20, 2016 · ENTHUSIASM: SYMPHONY OF THE DONBASS (1931) – One of the first Soviet sound films, it deals with the Five Year Plan of the late 1920s, and represents Vertov’s radical attempt to link economic progress with the introduction of sound in cinema.
