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Hamid is an Indian drama film directed by Aijaz Khan. The film stars Rasika Dugal, [5] [6] [7] [8] Vikas Kumar and Talha Arshad Reshi in major roles, and is an adaptation of the play Phone No. 786 by Mohd. Amin Bhat. [2]
Mar 15, 2019 · Hamid: Directed by Aijaz Khan. With Talha Arshad Reshi, Vikas Kumar, Rasika Dugal, Sumit Kaul. Eight year-old Hamid learns that 786 is God's number and decides to try and reach out to God, by dialing this number.
Mar 15, 2019 · Sometimes, a film comes exactly at the right time. Hamid, set in strife-torn Kashmir, tells us that there is still hope, something we desperately need in our worn, troubled nation. Eight-year-old Hamid (Reshi) makes a call to Allah, and lo, Allah answers.
Mar 13, 2019 · Hamid is a disarmingly simple, fable-like tale depicting the repercussions of protracted, intractable political turmoil both on the combatants and ordinary...
Mar 14, 2019 · Story: A seven-year-old boy, in a quest to have his father back, calls a number he believes is God’s own cell phone. He reaches a CRPF Jawan instead, who pretends to be God and plays along, and an interesting friendship ensues.
Mar 13, 2019 · A poignant story is simultaneously tragic and empathetic, a feat not many films even attempt to claim, but director Aijaz Khan's 'Hamid' nearly nails it.
Mar 5, 2019 · Have you ever spoken to God?Presenting the official trailer of Hamid, the story of an eight-year-old boy who learns that 786 is God's number and decides to t...
Hamid is a 2018 Indian drama film, directed by Aijaz Khan and produced by Yoodlee Films. The film stars Talha Arshad Reshi, Vikas Kumar, and Rasika Dugal in lead roles.
Mar 15, 2019 · Hamid. Director: Aijaz Khan. Cast: Rasika Dugal, Vikas Kumar, Talha Arshad Reshi. Storyline: Eight year-old Hamid is told that his father has gone to Allah and dials God’s number—786—to speak...
Mar 15, 2019 · Hamid Movie Review: An Endearingly Simple, If Slightly Simplistic, Depiction Of Childhood Trauma. There is plenty of sad-violin music and stilted acting, but the sheer clarity of the analogies – of mortality, divinity, closure – rescues Hamid. Rahul Desai.
