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The Ecstasy of Saint Teresa (also known as Saint Teresa in Ecstasy; Italian: L'Estasi di Santa Teresa or Santa Teresa in estasi) is a sculptural altarpiece group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome.
Jan 14, 2022 · The Ecstasy of Saint Teresa by Gian Lorenzo Bernini is the focal point of the Cornaro Chapel’s white marble sculptural ensemble, which is situated in an elevated shrine. Bernini’s statue of Saint Teresa is widely regarded as one of the High Roman Baroque sculpture masterpieces.
The Ecstasy of St. Theresa is not just a sculpture, but a total environment: Bernini designed the entire chapel, creating a veritable stage set complete with sculpted audience members.
Saint Teresa describes an intensely spiritual encounter in physical, even sexual terms. Why? We know that an important goal of Baroque art is to involve the viewer. Teresa explained her vision in this way to help us understand her extraordinary experience.
Oct 18, 2023 · Mystical Ecstasy of a Saint. Produced from 1647 to 1652 in the Cornaro Chapel located in the church of Santa Maria della Vittoria in Rome, this marble work depicts an episode from the life of Saint Teresa of Ávila (1515-1582).
The Ecstasy of Saint Teresa is a key work in establishing Bernini as one of the greatest sculptors in the history of art. Cardinal Federico Cornaro.
Dec 6, 2023 · The subject matter is “The Ecstasy of Saint Teresa,” a woman who had recently been made a saint, who is here having one of her not-so-uncommon visions of an angel. Dr. Harris: [1:06] She was canonized in 1622.
Date: 1645-1652 CE. Site: Italy: Rome. Location: Italy: Rome, Santa Maria della Vittoria, Cornaro Chapel. Teresa is clothed from head to foot in a loose hooded garment. Her feet are bare, the left one prominently displayed. Her eyes are shut, her mouth opened, as she swoons in ecstasy. Standing before her is the figure of a winged youth.
Lorenzo Bernini’s Ecstasy of Santa Theresa, with figures carved almost fully in the round but encased in a marble altar, offers a most impressive example. Neoclassical artists of the early 19th century temporarily revived experimentation with low reliefs in pursuit of what they saw as classical rigour… Read More. Visual Arts Architecture.
The scene of the ecstasy of Saint Teresa of Jesus that we see in this painting bought from the Church of Our Lady of Bethlehem in Bogotá, in 1976, belongs to this group. This scene is the most...
