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Jul 6, 2021 · Amazon.com: Ten Minutes To Midnight [Blu-ray] : Adam Weppler, Nicole Kang, Caroline Williams, Nicholas Tucci, Martin Sola, Alice Kremelberg, William Youmans, Erik ...
- Blu-ray
Ten Minutes to Midnight. A veteran late night radio host on the eve of forced retirement is trapped inside the station after being bitten by a rabid bat while her mysterious replacement follows her every move. Rentals include 30 days to start watching this video and 48 hours to finish once started.
- 72 min
In TEN MINUTES TO MIDNIGHT, Caroline Williams returns to the DJ booth for the first time since her star-making turn as Stretch in 1986's THE TEXAS CHAINSAW MASSACRE 2. A character-driven night terror, TEN MINUTES TO MIDNIGHT begins when veteran punk rock disc jockey Amy Marlowe (Williams) is bitten by a rabid bat on the eve of her final graveyard shift broadcast.
Jan 23, 2024 · That is why we set the Doomsday Clock at two minutes to midnight in 2019 and at 100 seconds to midnight in 2022. Last year, we expressed our heightened concern by moving the Clock to 90 seconds to midnight—the closest to global catastrophe it has ever been—in large part because of Russian threats to use nuclear weapons in the war in Ukraine.
Ten Minutes to Midnight. 2020 · 1 hr 13 min. TV-MA. Horror. On the cusp of retirement, a late night radio host gets trapped inside the station after being bitten by a rabid bat, for a night to remember. Subtitles: English. Starring: Caroline Williams Nicole Kang Nicholas Tucci William Youmans Alice Kremelberg. Directed by: Erik Bloomquist.
At under 80 minutes, Ten Midnights to Midnight steps on the gas in terms of conflict (a recent grad student (Nicole Kang) has come ostensibly to shadow Amy, but really to replace her), she has two ...
- (20)
- Horror, Mystery & Thriller
Jan 22, 2021 · Ten Minutes to Midnight is a B-grade feature wrapped up in a 1980’s mindset that gloriously marches to its own bizarre beat. It won’t be for everyone – especially younger audiences expecting something more of a straightforward horror feature – but those who grew up with the more schlocky, experimental titles of the genre should find comfort in tuning in to Bloomquist’s biting effort.
