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Sailesh Kolanu is an Indian film director and screenwriter who predominantly works in Telugu cinema.
Sailesh Kolanu was born in Chennai, Tamil Nadu, India. He is known for Hit: The First Case (2022), HIT (2020) and HIT: The 2nd Case (2022).
Director Sailesh Kolanu, now working on Venkatesh-starrer ‘Saindhav’ discusses his approach to cinema and how he hopes to have his signature as the ‘HIT’ uni...
Jan 10, 2024 · An optometrist-turned-writer-director, Sailesh debuted in Telugu cinema with HIT: The First Case (Homicide Intervention Team) and followed it up with HIT: The Second Case. He had...
Jan 10, 2024 · Sailesh Kolanu. Srivathsan Nadadhur. Last Updated: 12.44 PM, Jan 10, 2024. Having spent most of his formative years in Chennai, researcher-turned-filmmaker Sailesh Kolanu would arrogantly brag that he was a Kamal Haasan fan in the industry.
Dec 14, 2022 · Sailesh Kolanu: I was fine with viewers guessing the killer. Writer-director Sailesh Kolanu discusses HIT 2, the second installment in his police procedural franchise which turned out to be a money spinner at the box-office. Ram Venkat Srikar. |. @XpressCinema.
May 19, 2023 · When optometrist-turned-director Sailesh Kolanu debuted with the Telugu crime thriller HIT (Homicide Intervention Team) in which the protagonist worked with a Sherlock Holmes-like ability to...
Jul 15, 2022 · Shailesh Kolanu has remodelled his own Telugu Thriller of the same name, assuming that the primary creator should be the one to recreate the portrait. HIT: The First Case is a simple copy-paste of the original Telugu flick, with one surprise change in the climax.
Jan 11, 2024 · Writer-director Sailesh Kolanu talks to CE about his upcoming film Saindhav, working with Venkatesh Daggubati and more. Abhilasha Cherukuri. Published on : 11 Jan 2024, 12:48 pm. In a sea of big-ticket Sankranti releases, Saindhav stands tall for more reasons than one, but not without puzzling people.
56K Followers, 1,076 Following, 569 Posts - Sailesh Kolanu (@saileshkolanu) on Instagram: "HITverse, Saindhav".
