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  1. Mar 22, 2024 · Erich Pommer ist 1889 zu Hildesheim geboren, war, nach Besuch eines Realgymnasiums, von 1907 bis 1914 kaufmännisch im Film tätig, und zwar zuerst bei der französischen Gaumont-Gesellschaft in Berlin, dann als deren Vertreter in Wien und schließlich als Generalvertreter für Zentraleuropa der französischen Eclair-Gesellschaft. 1915 erfolgte die Gründung der Decla-Film-Gesellschaft in Berlin, 1919 der Zusammenschluß der Decla mit der Deutschen Bioskop-Gesellschaft zur Decla-Bioskop ...

  2. On July 20, 1889, Erich Pommer was born at Altpetristrasse 496, Hildesheim, Germany. As a boy going to school in Göttingen, he neglected some classes in preference to reading stories and books by famous writers of all ages, in English and French as well as German.

  3. The Erich Pommer Institut encourages cultural and social diversity in their training activities and welcomes everyone to take part in our programs - regardless of their ethnic and social background, disability, or age.

  4. Erich Pommer Institut (EPI) launches second edition of SERIES' WOMEN. 02. June 2022 –. SERIES' WOMEN, the international career enhancement program for female producers of European drama series, is entering its second round. After a successful first edition in 2021, the English-language program will continue in 2022 with the support of ...

  5. Media in category "Erich Pommer" The following 6 files are in this category, out of 6 total. Erich Pommer (1889–1966) ~1925.jpg 828 × 928; 388 KB.

  6. en.epi.media › imprintImprint - EPI

    The Erich Pommer Institut (EPI) is committed to react on customer enquiries as soon as possible, but at latest within two working days. Legal Disclaimer . 1. Content of the website . The Erich Pommer Institut (EPI) assumes no responsibility for the actuality, correctness, completeness and quality of the information provided.

  7. Jun 6, 2024 · In 1920 he began working for producer Erich Pommer at Decla Biscop Studio, which became part of the German filmmaking giant UFA. Through the 1920s Lang made evermore ambitious films, some of them so long and dense that they were exhibited in two parts.