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  1. Luis Buñuel Portolés nasce nel 1900 in Aragona, nel paese "medievale" di Calanda [1]. I suoi genitori, una coppia di facoltosi proprietari terrieri, gli impongono una rigida educazione cattolica e lo studio del violino. In entrambi i casi, la sua reazione è il rigetto: diventerà notoriamente ateo ("per grazia di Dio") e mostrerà più volte ...

  2. ro.wikipedia.org › wiki › Luis_BuñuelLuis Buñuel - Wikipedia

    Luis Buñuel. Luis Buñuel (n. 22 februarie 1900, Calanda, Aragon, Spania – d. 29 iulie 1983, Ciudad de México, Mexic) a fost un regizor spaniol de film, considerat unul dintre cei mai importanți cineaști ai lumii. Deși spaniol, inițial studiile, apoi războiul civil (spaniol) și legăturile cu partidul comunist (în calitate de ...

  3. A sophisticated and self-assured woman from Paris joins a middle-class rural estate as a maid and causes quite a stir among the variously uptight, perverse and violent inhabitants. Director Luis Buñuel Stars Jeanne Moreau Georges Géret Michel Piccoli. 11. The Phantom of Liberty.

  4. nl.wikipedia.org › wiki › Luis_BuñuelLuis Buñuel - Wikipedia

    Luis Buñuel Portolés (Calanda, 22 februari 1900 – Mexico-Stad, 29 juli 1983) was een Spaans-Mexicaans filmregisseur. Biografie [ bewerken | brontekst bewerken ] Luis Buñuel werd in 1900 in Calanda in de Spaanse provincie Teruel geboren als de zoon van een steenrijke grootgrondbezitter.

  5. Luis Buñuel. Luis Buñuel Portolés (ur. 22 lutego 1900 w Calandzie, zm. 29 lipca 1983 w Meksyku) – hiszpańsko - meksykański reżyser filmowy i scenarzysta. Jedna z najwybitniejszych osobowości światowego kina [1] .

  6. Le journal d’une femme de chambre (Diary of a Chambermaid) is an integral point in Buñuel’s filmography, not solely because it ushered in Buñuel’s period of French masterpieces, but also because it began his collaboration with screenwriter Jean-Claude Carrière (who would co-write Buñuel’s screenplays from Diary onward).

  7. Feb 1, 2024 · Film series. Feb 1–21, 2024. Luis Buñuel’s Mexican period is often treated as a parenthesis between the avant-garde outrages of his early European work (Un Chien Andalou, L’Age d’or) and the immaculate late masterpieces (Belle de jour, The Discreet Charm of the Bourgeoisie). But it was in Mexico that Buñuel became a filmmaker, mastering the technical side of the medium and learning to negotiate the conflicting demands of a popular medium. Buñuel’s time making films in Mexico ...