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  1. Mar 18, 2021 · Original score by Dimitri Tiomkin in the hand of the arrangers: Herb Taylor, G. A. Emanuel [Manuel Emanuel] and George Parrish. (175 leaves) Original score for “The Green Leaves of Summer” and “Theme from The Alamo,” [music only] by Dimitri Tiomkin. (16 leaves) Original musical sketches by Dimitri Tiomkin, holograph. (10 leaves)

  2. Dimitri Zinovich Tiomkin was born in Kremenchuk on May 10, 1894. His mother, Marie (née Tartakovsky), was a music teacher and his father, Zinovie, a physician. A student at the St. Petersburg Conservatory, he excelled as a solo pianist under the tutelage of Felix Blumenfeld and Isabelle Vengerova, and also studied with composer Alexander Glazunov, the conservatory’s director.

  3. Original Motion Picture Soundtrack (1960). Composed and Conducted by Dimitri Tiomkin.Please note that the rights belong to the owner. Support the publishers,...

    • 15 min
    • 503K
    • Soundtrack Fred
  4. Jan 4, 2013 · Walt Disney presents Dimitri Tiomkin with the Music (Music Score of a Dramatic or Comedy Picture) and Original Song Oscars for High Noon and Alfred Newman wi...

    • 5 min
    • 31.5K
    • Oscars
  5. open.spotify.com › artist › 6MbdnYlaRAlKxVJMzFcm69Dimitri Tiomkin | Spotify

    Listen to Dimitri Tiomkin on Spotify. Artist · 21.6K monthly listeners. Preview of Spotify. Sign up to get unlimited songs and podcasts with occasional ads.

  6. Sep 26, 2023 · Introduction Dimitri Tiomkin, a prolific composer and conductor, is perhaps best known for his remarkable contributions to the world of film scores. Born in Russia in 1894, Tiomkin’s musical career spanned over five decades, during which he received numerous accolades for his innovative and captivating compositions. With a diverse body of work that encompasses a […]

  7. Oct 9, 2021 · Dimitri Tiomkin’s co-producing contract shows that he is to receive 10% of the 100% of net profits; however, the prediction of hearty profits in a trade paper review fall short and accounting by Columbia and Highroad by the end of 1970 indicate that “there is still no real likelihood of the picture getting into profit.”