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Terrence Frederick Malick ( 30. studenog 1943.) je američki filmski redatelj, scenarist i producent. U karijeri koja se proteže gotovo četiri desetljeća, Malick je režirao pet filmova. Malick je za svoje filmske uratke uglavnom dobivao pozitivne kritike, a njegovi filmovi često su proglašavani remek-djelima.
Jan 20, 2006 · The New World: Directed by Terrence Malick. With Colin Farrell, Q'orianka Kilcher, Christopher Plummer, Christian Bale. The story of the English exploration of Virginia, and of the changing world and loves of Pocahontas.
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Terrence Malick: Terrence Malick 2011-ben: Született: Terrence Frederick Malick 1943. november 30. (80 éves) Ottawa, Illinois: Állampolgársága: amerikai: Nemzetisége: amerikai : Házastársa: Jill Jakes (1970-1976) Michele Morette (1985-1998) Alexandra Wallace (1998-) Foglalkozása
The Tree of Life is a 2011 American epic experimental coming-of-age drama film written and directed by Terrence Malick. Its main cast includes Brad Pitt, Sean Penn, Hunter McCracken, Laramie Eppler, Jessica Chastain, and Tye Sheridan in his debut feature film role. The film chronicles the origins and meaning of life by way of a middle-aged man ...
Mar 16, 2017 · March 16, 2017. One of the loveliest images in “Song to Song,” the latest from Terrence Malick, is of ripples expanding across a small pool of water, echoes of a woman’s quick step. Mr ...
Director Terrence Malick (Badlands, Days of Heaven), who hadn’t helmed a motion picture since 1978, made the book the basis of his screenplay, which generated a loud buzz in Hollywood. Malick’s long-awaited return to active duty lured in some of the industry’s biggest stars, including John Cusack, George Clooney, Woody Harrelson, Nick Nolte, Sean Penn and John Travolta, as well as such capable but lesser-known actors as Adrien Brody, Jim Caviezel, Ben Chaplin, Elias Koteas, Jared Leto ...
Malick has frequently invoked an immersive, subsuming love in the world, more explicitly cast as divine, even Christian, with each new film, but Marina’s pantheistic paean, murmured in French over a montage of prettily flowing water, leaves one not awestruck but dumbfounded: When did Terrence Malick, perpetually associated by critics with the tradition of American transcendentalism, turn from Emerson and Thoreau to Thomas Kinkade, from the Over-Soul to the Over-Blown?
