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  1. Nov 1, 2019 · Max Steiner: Maestro of Movie Music: Directed by Diana Friedberg. With Max Steiner, Lionel Friedberg, Ray Faiola, Leonard Maltin. A look at the life and work of the Austrian composer who pioneered the musical scoring of films - hundreds of them - from King Kong, to Gone with the Wind, to Casablanca and beyond.

  2. Sep 30, 2023 · lp_the-complete-film-music-from-gone-with_max-steiner Identifier-ark ark:/13960/s2vgfs890vv Lineage Technics SL1200MK5 Turntable + Audio-Technica AT95e cartridge > Radio Design Labs EZ-PH1 phono preamp > Focusrite Scarlett 2i2 Ocr tesseract 5.3.0-3-g9920 Ocr_detected_lang en

  3. Mar 14, 2022 · Max Steiner wrote some of the iconic scores of the Golden Age of Hollywood, and his biographer and author of Music By Max Steiner: The Epic Life of Hollywood’s Most Influential Composer, Steven C. Smith says the “theatrical dynasty” he was born into in Vienna in 1888 launched him in that direction.

  4. Max Steiner is one of the greatest—not to mention most prolific—composers of the Golden Age of Hollywood. The winner of three Academy Awards, Steiner’s credits include King Kong, The Informer, Gone with the Wind, Now, Voyager, Since You Went Away, Johnny Belinda, and The Caine Mutiny. Though known for timeless melodies that symbolize the ...

  5. Apr 18, 2021 · Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer.By Steven C. Smith. Oxford University Press, 480 pages. BOOK REVIEW – Steven C. Smith’s A Heart at Fire’s Center: The Life and Music of Bernard Herrmann, is one of the best biographies I’ve ever read of an American composer.

  6. Max Steiner Max Steiner was a Austrian composer of music for theatre productions and films. He later became a naturalized citizen of the United States. Trained by the great classical music composers Brahms and Mahler, he was one of the first composers who primarily wrote music for motion pictures, and as such is often referred to as “the father of film music

  7. Nov 28, 2022 · Austrian-born Max Steiner (1888-1971) was a prolific and tireless artist who worked on more than 300 film scores in his long career, an innovator who introduced the notion that an original non-diegetic score (as opposed to music internal to the context of the film) could be an essential element of a film, conveying and adding to the narrative.