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  1. Marsha Norman’s abilities as a playwright were first recognized in 1977 by Jon Jory, director of the Festival of New Plays, Actors Theatre of Louisville. Her first major play, Getting Out, was ...

  2. Apr 25, 2016 · Marsha Norman won a Pulitzer for her play ‘night, Mother, a Tony for The Secret Garden on Broadway and a Tony nomination for her book for The Color Purple. Ms. Norman is co-chair of Playwriting at Julliard and serves on the Steering Committee of the Dramatists Guild. She has numerous film and TV credits, as well as a Peabody for her work in TV.

  3. The Lilly Awards June 6, 2011 presented by The Committee for Recognition of Outstanding Women in Theater in honor of Lillian Hellman . The committee, consisting of Julie Crosby, John Eisner, Gary Garrison, Tina Howe, Julia Jordan, Marsha Norman, Theresa Rebeck, Susan Rose, Tim Sanford and the Dramatists Guild of America was founded out of a desire to celebrate the work of outstanding, successful and up-and-coming women playwrights, directors, designers and advocates in the theater.

  4. Sep 30, 2013 · This casebook includes an interview with Norman commenting on her work and her place in American theater as well as a review of 'night, Mother by drama critic Robert Brustein. The essays analyze Norman's works in comparison to the works of other playwrights and examine the mother/daughter relationships of the characters as well as Norman's sense of a woman's place within a patriarchal culture.

  5. Marsha Norman has 54 books on Goodreads with 20745 ratings. Marsha Norman’s most popular book is 'night, Mother.

  6. Marsha Norman is the winner of the 1983 Pulitzer Prize, Blackburn Prize, Hull-Warriner, and Drama Desk Awards for her play ‘NIGHT, MOTHER. In l992 she won a Tony Award and a Drama Desk Award for her book for the Broadway musical, THE SECRET GARDEN .

  7. Aug 7, 2011 · Interview with Marsha Norman | Downstage Center. American Theatre Wing, Downstage Center October 2006 Pulitzer Prize-winner Marsha Norman compares the gathering and rituals shared by theatre and houses of worship; explains why she could never have written ‘night Mother now that she’s had children; talks about her specific goals in crafting ...