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Italian. Box office. $3.5 million (US/Canada rentals) [2] 81⁄2 (Italian title: Otto e mezzo, pronounced [ˈɔtto e mˈmɛddzo]) is a 1963 comedy-drama film directed and co-written (with Tullio Pinelli, Ennio Flaiano and Brunello Rondi) by Federico Fellini.
Federico Fellini. Writer: Nights of Cabiria. The women who both attracted and frightened him and an Italy dominated in his youth by Mussolini and Pope Pius XII - inspired the dreams that Fellini started recording in notebooks in the 1960s. Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola...
One of the greatest films about film ever made, Federico Fellini’s 8½ marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis into a grand epic of the cinema.
Directed by. Intervista (1993) Roger Ebert. Directed by. Amarcord (1974) Roger Ebert. Directed by. The Clowns (1971) Roger Ebert.
Federico Fellini, italijanski filmski režiser, * 20. januar 1920, Rimini, Italija, † 31. oktober 1993, Rim. Prepoznaven je bil po svojem posebnem slogu, ki je združeval domišljijo in baročne podobe z realnostjo, zdaj je priznan kot eden največjih in najvplivnejših filmskih ustvarjalcev vseh časov.
Jul 7, 2021 · 3. La Dolce Vita (1960) “Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected.”. La Dolce Vita is the biggest hit of Fellini’s career and catapulted the director to international mainstream success.
Federico Fellini’s second outing as a solo director yielded his first commercial success, a clear-eyed portrait of five young men lingering in a postadolescent limbo, dreaming of adventure and escape from their small coastal town. Drawing on memories tucked between the childhood nostalgia of Amarcord and the big-city hangover of La dolce vita, Fellini crafts a semiautobiographical masterpiece of sharply drawn character sketches: of skirt-chasing Fausto, forced to marry a girl he has ...
