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  1. Thomas Kyd was born in 1558 in London, the son of Francis and Anna Kyd. Francis was a scriviner. From 1565 he attended Merchant Taylors' School, where he was a contemporary of Edmund Spenser, who later authored The Faerie Queene. At some point after he left school Kyd shared a room with fellow playwright Christopher Marlowe.

  2. Aug 13, 2012 · Thomas Kyd was born in 1558 in London, the son of Francis and Anna Kyd. Francis was a scriviner. From 1565 he attended Merchant Taylors' School, where he was a contemporary of Edmund Spenser, who later authored The Faerie Queene . At some point after he left school Kyd shared a room with fellow playwright Christopher Marlowe.

  3. Ardolino, Frank R. Thomas Kyd’s Mystery Play: Myth and Ritual in “The Spanish Tragedy.” New York: Peter Lang, 1985. Argues that the play is a combination of murder mystery, allegory, and ...

  4. Thomas Kyd (1558-1594) Website for Thomas Kyd, Shakespeare's contemporary playwright, writer of 'The Spanish Tragedy'. Biography, works, study materials.

  5. Thomas Kyd was born in 1558, six years before Shakespeare and Marlowe. Parish records indicate that he lived in London with his parents and two other siblings-of which one died in 1602. His father, Francis Kyd, was a scrivener. Eminent biographer Arthur Freeman observes that while scriveners garnered little respect from contemporary writers ...

  6. ro.wikipedia.org › wiki › Thomas_KydThomas Kyd - Wikipedia

    Thomas Kyd. Thomas Kyd (n. 1558, Londra, Regatul Angliei – d. 1594, Londra, Regatul Angliei) a fost un dramaturg englez aparținând "spiritelor academice" ( The University Wits ), părintele tragediei sângeroase sau al tragediei răzbunării din perioada Renașterii engleze. Unul dintre contemporanii literari ai lui William Shakespeare .

  7. The first of these concerns the relation of Kyd's play to the ‘First Part of Hieronimo’ (1 Hieronimo), published in 1605, which has been variously thought to represent (presumably in ‘corrupt’ form) either an anterior composition of Kyd himself or a later attempt, by him or someone else, to capitalize on The Spanish Tragedy's popularity. The second question bears on the status, and the authorship, of five passages (known as the ‘Additions’) that first appeared in the edition of ...