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After wrapping up the shoot of his upcoming period film, in which he also plays the lead character Mehboob, Indie film director-writer RK (Rajat Kapoor) struggles to piece his film together on the editing table. Trouble escalates when he discovers that his lead character has vanished from the film’s footage and entered real life.
RK/RKAY (2022) : Movie Review - Rajat Kapoor has brought experimental cinema to life with his comedy drama, RK/RKAY. However foolish the title sounds, believe you me, the film is one step above. RK's entire concept is not acceptable even if you are making or seeing a film in your dreams, then just forget making and watching it in real life.
RK/RKAY. In this film-within-a film, Rajat Kapoor stars as filmmaker RK, making a new picture in which he also plays the lead character, Mahboob. When shooting is finished, and the editing begins, RK has a sinking feeling that the film is no good. That"s when he discovers that Mahboob has escaped the film and somehow entered the real world.
Jul 21, 2022 · RK only wants Mahboob to perform for him, die for him and save his career; everything else is window dressing. In other words, the social bleakness of this comedy lies in the eyes of the beholder. Even if one doesn't go looking for messages and depth, RK/RKay holds up wonderfully as a movie made by people who love the movies. In a parallel ...
Synopsis. After wrapping up the shoot of his upcoming period film, in which he also plays the lead character Mehboob, Indie film director-writer RK (Rajat Kapoor) struggles to piece his film together on the editing table. Trouble escalates when he discovers that his lead character has vanished from the film’s footage and entered real life.
- 95 min
1h 39m• Comedy,Drama• U• 22 Jul, 2022. Share. RK/RKAY. About the movie. RK, a filmmaker, finishes shooting his new film where he also plays the lead role. But during the edit, the character leaves the film and comes into the real world. RK must send him back to the film, or else there will be no film.
Aug 26, 2022 · Rajat Kapoor 's recent acting-directorial enterprise, RK/RKay, dwells on the meta-cinematic tradition with an acute awareness to resurface these authorial stalemates that occupy the writing process of filmmakers. It builds upon a web of self-referential loops that trigger the imagination with deadpan humour and mischief.
